Arriving in London with a makeup bag that had apparently been packed by a drunk baboon forced me to be a bit creative with my products. I honestly have no idea how I ended up with four bronzers and two foundations but absolutely no brow stuff, no lipstick and only one (quite dark and punchy) eyeshadow.
But here’s what I did with what I had. It’s been a few weeks since the “WTF did I pack?” incident but I’ve actually kept up with the same routine, because I like it, and here’s the video to prove it. I’ve written a description with product links below.
So: in with the Lancome Teint Idole Ultra Wear Foundation. For a full review with before and after photos, please click here. I won’t repeat myself – it’s virtually faultless for a longwear, grown-up face base.
I then used Charlotte Tilbury Filmstar Bronze & Glow to contour and bronze myself up, applying far too much and then having to buff it out for approximately twelve minutes. It was the makeup equivalent of making a toddler meal: heat it for two minutes, cool it right down again for ten. Go forwards and then almost right back to the start.
Bronze & Glow is an excellent investment if you can possibly make it. There are many “dupes” but none give quite the instant glam this contour and highlight duo does. You can find it online here at Charlotte Tilbury* – I use shade Light-Medium.
A touch of blush – this one is from Valentino (shade 9, here) and is lovely, but there’s no massive need to spend so much. Just a good flush of something optimistic and pinkish will do!
And then eyes. Here’s where it gets revolutionary. I use the same Tilbury Filmstar palette on my eyes – the contour to, er, contour and the highlighter to gild the lids. It works so well! It really helps to shape the eye, subtly, and the highlighter gives lift and brightness to the eye area. I’m so impressed with this and I like that it keeps all of the tones on my face very uniform and tied together.
I then stuck a Vieve Eye Wand in Coffee* into the corners of my eyes and dragged it up towards the eyebrow end a little bit, to give myself the customary “eye lift”. If you’ve never done this before then you’re in for a treat. It’s not necessary to put the product into your eye socket in the way I do, which is borderline violent, but the Vieve Eye Wand is chunky and soft and just seems to lend itself to fitting right in the outer corner. It’s very malleable and blendable so I use a small amount, I don’t apply to the upper lid, but I take a small smudge brush and blend the little line of product out so that it’s soft and hazy and what leftovers I have I smudge into the lower and upper lashline, just at the outer edge of the eye.
Rather than me explain it in a thousand words, it’s probably better to take a look at the video, if you’ve never seen me do my little eye lifting trick. It properly, properly works – you just have to make sure you follow the curve of your lower lashline to get the flick in the right direction!
The mascara I use here is the faithful L’Oreal Telescopic, which I just think is one of the best mascaras you can buy, regardless of price. I rate the one in the dull gold tube and it’s usually about eight quid when you catch it on offer, which is almost always and it has a fine, narrow comb that’s flexible and mess-free. You can wiggle right to the base of the lashes and then pull through to coat each one and they are left looking chic and separated. I very rarely deposit product onto my lids (happens with just about every other mascara) and I don’t get fallout or smudging. I buy this mascara constantly – usually from Amazon Prime, see here*, but you can get it in Boots and Superdrug and it’s always in stock.
At time of writing L’Oreal Telescopic Mascara is £7.07 here*
I use hairspray and a brow brush for my brows because I’ve misplaced all of my brow products (I sorted every single one of them into a small bag and then promptly lost it within the office avalanche) and I do my lips with a simple lipliner outline (Rare Beauty liner in Creative, see here*) patted in and topped with lip balm.
And that’s it. It’s quite a pared-down routine, product-wise: I wish I had a fancy little picture of the products but I don’t, and anyway the Tilbury palette is almost finished so it’s not looking its photogenic best. I’ll finish with a few extra links for bits and bobs featured in the video, including the skincare prep and the blouse I’m wearing. I say, what a lovely blouse!
Olay Retinol Eye Cream is currently 60% off here*
Aveeno Calm and Restore Serum is here*
Skin Rocks The Moisturiser is online here
The Francine Floral Blouse I’m wearing is from Wyse London here
The post Current Makeup Routine: Spring 2023 appeared first on Ruth Crilly.
I’ve made some little tweaks to my makeup routine and committed them to video: one of the changes involves my eyebrows, and you might already know about that one, but the other four are relatively new and snazzy. I know that the suspense will be killing you, so let’s get cracking.
My first makeup tweak is so puny and weird that I’m almost embarrassed to be writing about it, but seeing as though social media’s USP is people sharing things so mundane it makes you want to lobotomise yourself with a corkscrew, I’m going to go right ahead. The makeup update, if you could even call it that, is that I’ve only been putting foundation or tinted moisturiser on the centre of my face rather than all over it.
See, I told you it was fascinating.
It’s more of a convenience than a tweak and it has evolved from my habitual wearing of roll-neck or high-necked jumpers. For who wants foundation all the way down their neck when their neck is going to be smothered in wool? Equally, who even wants foundation on their chin, when their chin is permanently rubbing on the woollen roll-neck? Not I.
So I use the face base sparingly and lightly and only in the central part of the face rather than right up to the edges which, in truth, is the only place that tends to need foundation anyway. Facial perimeters rarely have a lot of bothersome bits going on.
This approach to skin-perfecting is best done with a sheerer foundation or tinted moisturiser, something forgiving and ultra-blendable. If you try to do it with a longwear opaque base then you’ll probably run into trouble. My tint of current choice? Still ILIA Skin Tint (I use shade ST7) with it’s mega-glow. You can find it here online*.
My next little fancy twist to the makeup tale is using blusher on my eyes. I know! What’s come over me? I saw Katie-Jane Hughes (amazing makeup artist) do it on Instagram to tie her eyes in with the blush and it was just so easy and fun and fresh, and the pink isn’t actually directly around the eyes so you don’t look like a rabbit from Watership Down… It’s just a quick bosh with the brush at the outer edges and then blend – watch the video below to see this in action.
You can use whatever’s left on the brush from doing cheeks. Doesn’t matter particularly whether it’s a cream or powder blush but I used the amazing Freshfaced Cream Blush from Beauty Pie here*. (Remember to use RUTHSENTME if you’re a new customer signing up and you’ll get a bit off the membership.)
Not even a tweak, so I’m starting to feel as though this entire exercise is a lie, but I’ll plough on. It’s just a clumsy, crayon-y splodge of dark eye colour at the outer corners in an upwards-facing wedge, blended in, to lift the eyes and make them look less tired. All this does (and again, you need to watch the video for the how-to) is bend the lashline upwards so that the outer corners look as though they sit a few mm higher than they did before. Tiny, subtle change but it’s vastly effective. If you want a stronger optical illusion then do it with a solid line of eyeliner but it’s trickier to get right than the splodge-of-wedge-and-blend-it method. I used the excellent suit-all Vieve Eye Wand in Coffee, here*.
I genuinely can’t even remember what this was and have to go back and watch the video. Please hold. I only had five bloody things to remember! I’d be rubbish at Kim’s Game now. Used to be almost champion-level.
OK the fourth tweak is the gluing of the eyebrows using Brow Freeze. You know about this already, if you’ve read the previous makeup post but you must watch them being laminated and waxed and glued into place in the video. This Brow Freeze stuff is amazing – my eyebrows end up about half an inch further up my face! Some might think this is a bad thing, I quite like it for a change. It’s a bit like when you move your bed to a different wall and it’s as though you don’t even know who you are anymore. But reordering your facial features instead. Facial Feng Shui.
You can find Anastasia Beverly Hills Brow Freeze here* – I would, and I surprise myself here, recommend getting the dedicated applicator that you have to purchase separately. Because my way of dunking the brow brush at an awkward angle is not massively convenient.
The gloss in a stick. Apparently these Revlon Super Lustrous Glass Shine lipsticks have gone viral on Tiktok. If I could use Tiktok without crashing Tiktok, having to log out of Tiktok and having to then reset my Tiktok password each and every time, then I’d spend a lot more time on Tiktok, but as it stands I just don’t have the energy for it. I’m constantly told I need to use it and upload videos there but it’s just so…chaotic. And noisy. Everyone is pointing at things on the screen, or talking loudly, or dancing. It feels like being stuck in an arcade game.
So I’ll take everyone’s word for it that these lipsticks are the new craze – it also makes sense, because they really are excellent. As glossy as a gloss but without the stickiness, they actually do properly plump and shine the lips without any effort whatsoever. And they’re moisturising. Genuinely. I felt the effects long after the colour had slinked away.
My favourite shade is the Strawberry one – find it at LookFantastic here* and just about nowhere else because everywhere seems to be out of stock!
Marvellous, we raced through those tweaks didn’t we? Now you just have the video to watch. Get to it…
I have my hair cut and coloured at The Suite in Bath (not an ad, I have always paid, just like to give them a shout-out and I always get asked!).
My pink jumper was a kind present from my friends at Scamp & Dude
The post I Updated My Makeup Routine: 5 Favourite Changes appeared first on Ruth Crilly.
Here’s my current makeup routine, including a rediscovered foundation that’s perfect for the summer months (ultra-glowy but lightweight and non-greasy) and what is possibly my all-time favourite mascara. I’m going to break it down into steps for you, but please do watch the video further on down the page if you’d like to see any of the products in action.
For skin prep in this video I used some products that had been left in my room at High Road House, which is a Soho House hotel in Chiswick. This is the third time I’ve had a little set of these Soho Skin products left in my room and so I can only conclude they are trying the brand out on guests before they are put on sale. They are perfectly pitched for the seasoned traveller who likes a spot of luxury and the textures are great; not too rich but with enough hydration to see you through the night. In the video I use the eye cream, serum and lip balm.
Because I was going to Wimbledon for the day I applied Anthelios UVMune 400 SPF50 in copious amounts – I was a guest of La Roche-Posay and so my choice of sunscreen seemed very appropriate. Helps that it’s one of my favourites anyway – this fluid SPF is so lightweight and now contains an incredibly effective UV filter offering really high protection. (You can find the new formula here* online.)
I have been using Charlotte Tilbury’s Light Wonder Foundation* loads recently. It’s a lightweight fluid with a sheer-side-of-medium coverage that feels very hydrating and gives a gorgeous sheen. Convenient packaging makes it easy to travel with or stick in your handbag and the finish is just beautiful. I use shade 5 – the ahde range in this particular product is much narrower than in the other Tilbury foundations but the sheerness makes it more flexible, so you don’t need an exact “match”. You can find it online here*.
I have been setting my foundation with powder, which I virtually never do, but I have been in the city quite a bit and I feel as though it makes things hold against the heat that bit better. It’s not a matte powdered look, either, I use the Hourglass Ambient Lighting Palette (Space NK here*) which is a huge investment, makeup-wise, but unparalleled in terms of getting a very grown-up “lit from within” finish to the skin. It’s so good: no glitter or glimmer and doesn’t actually look like a powder at all once it touches your face. Easy to apply, foolproof, I use the two darker colours to create a sort of base to my bronzer.
I’ve just seen that they do this palette in other shade combinations – where have I been? Volume II looks very summery. I may have to invest.
Shop Hourglass Ambient Light here*
Bronzer and Blush
I’ve been bronzing with the cult contouring product Filmstar Bronze and Glow from Tilbury* but also the new cream bronzer that’s been launched. I didn’t have that on me, I’ll have to do a separate post. It’s lovely, definitely on a par with the Chanel Soleil Tan de Chanel, if that’s what it’s called. (Is that what it’s called? Surely not! Hold on…. No, it’s now Les Beiges Bronzing Cream, find it here*.)
I use the Filmstar bronzer just beneath my cheekbones and then blend it out well. I don’t like this thing for harsh contour lines, I find it a bit draining and ageing on my own face and think it looks very artificial on even really young faces. So, not my bag, baby. But well buffed-in, it adds some shapely glamour and a hint of bronze and if you add the sparkle from the palette (which often I don’t) to the tops of the cheekbones it really is a red carpet sort of effect.
Buy Filmstar Bronze & Glow here*
The blush is a Gen Nude blush from Bare Minerals, but it looks as though they are discontinuing it – it’s here* online. Any pretty pink would do for this – it needed to be pink because I was using quite a pretty pink lipstick and sometimes I think it looks slightly weird if they’re not in the same tonal ballpark…
This is where you really need to watch the video! I’ve used two cream shadow sticks and blended them – the first is By Terry Ombre Blackstar in Shade 6 (“Frozen Quartz”, online here*) all over the lids, blended in, and then Vieve Eye Wand in Mahogany* blended in at the corners.
I blend outwards and upwards towards the end tip of the eyebrow to give myself a natural little lift in the tired eye department – watch the video for a demo. Can’t really stress enough how much you need to watch this video. Just skip to the eye bit!
Mascara is the Telescopic from L’Oreal which is one of my all-time favourites and costs just over eight quid (find it here*). The fine comb really gets into the base of my lashes without spreading mascara all over my lids and then it’s easy to draw it through to the ends of the lashes to get maximum volume. It’s not one of these mega-wow mascaras (though the False Lash one is equally great and gives more volume, here*) it just leaves them longer, blacker and more separated. It’s really excellent stuff if you have fine, flat lashes that don’t do well with bigger and messier brushes.
Shop L’Oreal Telescopic Mascara*
Brows are groomed and set into place (with a bit of extra colour and oomph thanks to the fibres) with Gimme Brow from Benefit. Another all-time favourite, I use shade 1 in this and you can find it online here*. You just brush it on, brushing brows upwards (there’s a theme emerging!) and it adds some fullness and sets them into place. Wipe off the excess from the brush into the neck of the bottle before you start otherwise trouble awaits.
I have been quite enamoured with a Nip+Fab lipliner in shade 03, Caramel, but it doesn’t seem to exist online.
Neither does the lipstick, Almost Pink by Bobbi Brown, so I’m not doing very well here. I need to do a big old lipstick clear-out and see what’s new out there on the beauty counters. I’ve been sent so many lip oils, glosses and tinted balms but good old solid lipsticks don’t seem to be de rigueur at the moment. I like a tinted balm, but sometimes you want a bit more of a definite colour, don’t you? And don’t get me started on glosses… They are usually the work of the devil.
I always forget to mention brushes and so here we are: large powder brush is the Chantecaille Face Brush, smaller powder one is a Bobbi Brown Face Blender. I applied my foundation with a Real Techniques 200 and blended with fingertips, too, off-camera, because it sort of melts the foundation in at the end and I like the finish.
On my eyes, a fluffier brush to blend the By Terry shadow – My KitCo 127 – and then two little Zoeva brushes for working in the lashline and at the corners. The Luxe Pencil Brush 2020 is great for corners and under the eyes, but the 226 Smudger is invaluable for blending out liner into a softer haze!
Right, that’s the whole face. My dress at the end is from Me+Em – find it here* online, I wear a UK10 – and if I’ve forgotten any other details then just drop me a comment below!
The post Current Makeup Routine: Summer 2022 appeared first on Ruth Crilly.
Stand down, Outraged of Welwyn Garden City, I said How To Do A Glow Job not blow job! To be honest, I’m almost forty and still couldn’t tell you how to do the latter that well, so the chances of me writing a post about it (or – urgh – making a video) are slim.
I mean I’m not saying I’m particularly bad at it (must ask) just that it’s a pretty obscure thing to do a step-by-step on and I can’t imagine a video tutorial would get past the censors on Youtube. Although pretty much everything else seems to get past them so maybe it would be worth a punt…
Anyway, it’s a Glow Job how-to not a Blow Job how-to and for this totally non-explicit filming session I was joined by the wonderful Lisa Caldognetto, who is a busy working London makeup artist. She has a signature skin prep routine that she calls The Glow Job and she kindly offered to demonstrate it. It’s 50% skincare and 50% makeup, really, when you break it down – a refreshing change from the usual heavy-on-the-base add-a-load-of-shimmery-highlight routine that you see so much of.
The Glow Job technique relies on adding the glow at the bottom of the pile – so creating a really glossy, plumped-out and dewy base layer and then adding minimal coverage so that the natural juiciness of the skin really shows through. The startling thing about this look is that there’s no foundation used – it relies on having relatively good skin to start with, admittedly, but it’s a nice reminder that you can go easy on the coverage and still look perfected and polished.
I’ve listed the products that Lisa used below the video pane, but please do watch the tutorial to see how Lisa applies each step – she has a lovely way of using Weleda’s Skin Food, for example, and a very light touch with her makeup brushes. It’s always so interesting to see session makeup artists at work, they’re a total mine of information.
You can find Lisa on Instagram @lisacaldognettomakeup
Caudalie Eixir*: http://bit.ly/2YLfNa7
Hada Labo Serum*: https://amzn.to/2sjCAgV
Weleda Skin Food*: http://bit.ly/2EcfmMf
Hollywood Flawless Filter Shade 3*: http://bit.ly/33jRMZd
My Kitco Flawless Face Small Brush 0.21 Charlotte Tilbury Magic Away Concealer 3*: http://bit.ly/2srPvgE
My Kitco Soft Concealing Brush 0.17 Chanel Soliel Tan de Chanel*: http://bit.ly/35v66yM
My Kitco Flawless Face Medium 0.22
Charlotte Tilbury Peachgasm Wand*: http://bit.ly/2rwzOFb
Charlotte Tilbury Flawless Finish powder*: http://bit.ly/35kDmZw
The post How To Do A Glow Job appeared first on A Model Recommends.