I was slightly nervous about the fact that the epic Lancome Teint Idole Ultra Wear foundation had been reformulated. And I say epic with not even a hint of irony because it was just that: very few high coverage, ultra longwear foundations came close to it in terms of the quality of finish, ease of application, shade range and longevity. The original Teint Idole covered every blemish and imperfection – no concealer needed – but it somehow managed to not obliterate all of the life from your skin at the same time. It looked flexible, comfortable, slightly juicy, but also gave that perfect, flawless, airbrushed sort of finish that completely removes redness, dark circles, areas of pigmentation. And it had a subtle glow, an expensive luminescence, yet the finish was velvety-matte.

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And the feel! Oh the feel of the thing. It was cushiony, it didn’t settle into lines, it moved with your skin…if ever there was a full coverage foundation for grown-ups then this was it. And so: my nervousness over the reformulation. What would Lancome tweak? What aspect of the original formula would us diehard fans sob over? How could Lancome improve upon perfection and a face base that had been around – successfully – for decades?

Well, let me tell you; they have. Lancome have taken their Teint Idole Ultra Wear foundation and made it just as comprehensive in coverage, just as cushiony to apply and just as long in wear-time, and they’ve somehow added a load of skincare ingredients into the mix along the way. And do you know what? You can actually feel the difference.

Buy Lancome Teint Idole Ultra Wear*

After a week of daily testing, with the old formula on one half of my face and the new formula on the other (how I suffer for my art) I can categorically tell you that the new side of my face feels continuously hydrated throughout the day. More plumptious. The other side doesn’t feel dry, as such, it just feels…normal. There’s a definite difference. I was sceptical beyond all polite reason about the hydrating skincare element of the relaunched formula but it’s there. And it works. My new face side is juicier and more springy to the touch but with the same amount of coverage on the skin.

I really don’t think that many (if any) Teint Idole users will be disappointed with the new version. It’s the same marvellous foundation, plus a (very) slightly more hydrating feel. I personally welcome the additional plumptiousness because I still get the same coverage but now it feels even more comfortable and flexible on the skin.

This newly reformulated Lancome Teint Idole Ultra Wear is not to be confused with the new Teint Idole Ultra Wear Care & Glow. It’s incredibly confusing and I wish that Care & Glow was just a totally different product line, in a way – it’s less coverage, more dew – but you can easily tell the two foundations apart by looking at the lids. White for the lighter coverage Care & Glow* and black for the higher coverage Idole*.

Interestingly, I prefer the feeling of the high coverage Idole on my skin to the Care & Glow. But Care & Glow does give an exemplary level of high-wattage luminosity – it’s the sort of glow level where I personally feel I don’t need a highlighter. (Though as a disclaimer, I do feel as though highlighter is one of the most overused and misused products in the entire makeup world. Looks great for the gram but honestly, in real life, some people look absolutely wild. Like robots. At the very least it just looks incredibly unnatural, which is surely the opposite of the desired effect.)

I should add, because it’s pretty important, that I use very little product when I’m applying Teint  Idole. It really doesn’t need to be trowelled on and I think it looks best when it’s applied very lightly, from the centre of the face, and built up only if needed. One light coat is enough to knock back most blemishes, dark circles and areas of redness – take a look at the before and after photos:

The single layer of foundation, applied very wispily with a small powder brush and not a flat-topped foundation brush, even part-conceals the glasses marks on my nose. Those are always a nightmare to disguise, when I’m filming, because they are red and indented and just a general pain in the arse to deal with. No problem for the Teint Idole. And if I’d gone back over with another little light coating then I’d have obliterated them completely.

The photos do a pretty good job of showing the finish too: it looks quite velvety-matt but there’s a real luminescence that isn’t glittery or shiny but just…expensive looking. It’s the kind of base that really is a base, coming into its own as the bronzer goes on, then the blusher… it’s the perfect starting canvas, flawless and smooth.

You can find new Teint Idole Ultra Wear online at Lancome here*, LookFantastic here* and Selfridges here*. There’s a whopping range of 45 shades and Lancome have also improved on the pigments to create tones that are always flattering and enhancing on the skin. No ashy undertones. I use shade 220C – I used to use 02 in the old formula which was ever so slightly warmer in tone. I’ll do some experimenting next time I’m near to a counter!

It suits all skin types and doesn’t slide from oily patches or settle in fine lines. Here’s a little quickfire video if you’d like to see application:

The post New Lancome Teint Idole Ultra Wear Foundation Review appeared first on Ruth Crilly.

I think that Chanel’s new Les Beiges Healthy Glow Makeup is an absolute triumph of a foundation relaunch. It’s so tweaked that it’s barely the same product. I didn’t ever properly review the original Healthy Glow foundation because – to get straight to the point – I wasn’t that keen on it. I had my favourite Chanel foundation already (Perfection Lumiere Velvet, now discontinued) and the Healthy Glow, for me, didn’t bring much extra to the party. Perfection Lumiere Velvet gave the most refined, flawless finish with the lightest of touches and subtlest of glows  (God only knows why you’d stop making such an absolute gem of a base) and Les Beiges gave sort of the same coverage and semi-matte finish but didn’t seem to so seamlessly disappear.

But here it is, relaunched and with twice as many shades available; it’s fresh-feeling where the original sometimes felt slightly claggy, the coverage is more sheer, more buildable and more elegant – no opaque masks here! – and the makeup feels as though it’s part of the skin rather than sitting on top in a layer.

The new version is way more hydrating too – it’s not quite on a par with Pat McGrath’s or Lauder’s Futurist, but it’s on its way. Layered over a good juicy moisturiser it looks and feels dewier and more alive than the original, but with good longevity and very little in the way of slippage in oilier zones it offers the best of both worlds: the real-skin benefits of a tinted moisturiser, the finish and coverage of a semi-velvety foundation.

Let’s take a look at the before and after photos…

This is just one very light coat of the Healthy Glow Makeup, applied with a flat-top kabuki-style foundation brush, but you can see how effortlessly it perfects the skin whilst leaving a believable, healthy sheen. This version of Les Beiges Healthy Glow really lives up to its name – there’s glow but it is very much on the natural end of the spectrum. No strobing effects here! Coverage is on the lighter side of medium but you can easily build up where you need more base and it never looks heavy or caked.

Here are the close-ups – you can see how fine and chic the finish is and that it doesn’t obliterate every imperfection but leaves a gorgeous, flexible sort of veil that evens out the skintone and adds a hint of glow:

I usually find it really hard to get into my foundation reviews – I dither about this and that and spend weeks trying it out in every sort of condition, with heavy face creams beneath or with powders on top – but I have to say that this review has been easy. Les Beiges was such a spectacularly pleasant surprise even on the first application – it’s nothing like Perfection Lumiere Velvet, my old favourite, but it definitely offers up a solid replacement.

Buy Chanel Les Beiges Healthy Glow Makeup*

On a practical note, the new version of Les Beiges Healthy Glow doesn’t contain an SPF. I actually prefer this because I tend to wear a dedicated SPF anyway and apply foundation on top. Many like to use the sunscreen in their makeup product as a sort of light protection against incidental sun exposure, but I’m usually either all in or all out and I quite like to tick off my SPF requirement as I do my skincare routine.

Either way, it’s easy enough to add the sunscreen step before foundation if you need to, but I think that the formula feels lighter and more elegant without it built in.

So to recap: the changes in this new formula are many and varied. No SPF, much more hydrating, a lighter feel and a sheerer finish, more of a dewy glow. Over twice as many shades and slightly different packaging.

Who will love this? I honestly think that it will suit most skin types, including those on the oily side so long as they use a primer in the places they tend to have trouble with. It’s not a greasy finish by any stretch of the imagination but the formula is really hydrating so drier skin will love it – those who want a discrete, grown-up foundation that looks barely there but is actually working quite hard behind the scenes will also rate this.

I’m wearing shade B30 but will need to step back to B20 in the winter months as my lockdown tan dissipates and I apply using a brush. I usually wear a hydrating serum and moisturiser combo beneath this base – I find that too rich a cream makes most foundations just a little bit slidey – and I never need to set it with powder.

You can find the new Chanel Les Beiges Healthy Glow foundation at Chanel here* – it’s £41. Don’t confuse it with the old version, one that most stockists still seem to be selling! If it says SPF25 on the bottle or in the title then that’s not the guy you want…

The post Foundation Review: Chanel Les Beiges Healthy Glow Makeup appeared first on A Model Recommends.

I don’t think I’ve ever had so many questions and comments about a foundation as I have about the Pat McGrath Labs Skin Fetish Sublime Perfection. I photographed myself oh-so-casually wearing it on Instagram stories and it has made background appearances in some of my videos; each time I’ve mentioned it I’ve been inundated with DMs about how long it lasts, how good the coverage is and which shade I wear.

And so here’s a proper, in-depth review. I’ll start out with the same warning regarding the price that I gave on Instagram: it’s £60 in the UK. Incredibly pricey, but I have to say that very few people I spoke to seemed perturbed by this quite considerable financial outlay. Surprisingly. Which makes me think that Pat McGrath and her marketing team have done an epic job of carving out a niche in the highest end of the cosmetics market – if you can establish yourself to the point where beauty-aficionados don’t flinch too much at a sixty quid face base then I’d say you’re doing pretty well!

The brand showcases clever formulations in luxurious packaging and is most definitely powered by Pat’s reputation as one of the world’s most successful and inventive makeup artists. I’d say that the Sublime Perfection foundation is one of the hero products, but then I’m really into “skin looking like skin” and so I’m possibly biased.

But Sublime Perfection is more than your standard kind of “real skin” foundation – it has a few tricks up its proverbial sleeve that I think sets it apart from the rest when it comes to achieving the holy grail of makeup – a flawless finish that still looks believable. It has the sort of finish that looks supple, dewy, bouncy and fresh yet still manages to blur imperfections and create a perfect canvas, but there are some very notable bonuses, which I’m going to come to after another disclaimer.

I have good skin.

I say this not to brag, but to be helpful, because a foundation that I love, that makes my skin look visibly perfected and dewy, might not feel so magical if you have blemishes that need a full coverage to be concealed. This Skin Fetish Sublime Perfection potion is sheer. Yes it’s buildable, as I’m about to delve into in more detail, but the medium coverage is almost a perceived medium – as in minor imperfections are cleverly blurred and veiled – rather than the solid coverage you might get traditionally.

So, the notable bonuses – what sets Sublime Perfection foundation apart from the rest?

Well as I said, it’s buildable. And I mean properly buildable, not just “let’s see what happens if I tap a bit more under the eyes because I can’t be bothered to look for my concealer” buildable. You can go from sheerest sheer, which Sublime Perfection handles impeccably because the formula is so hydrating, right up to a medium-ish coverage.

Now loads of foundations are buildable; the difference with this one is that it retains its freshness and increases its sheen as the coverage builds. Which is quite a feat. Usually the more you apply, the more you start to look a little flat, but here we have a coverage that is comprehensive but a finish that is expensive, glowing and bouncy with the same feeling of sheerness as with a light application.

You never get a blanket, opaque coverage, so full coverage-hunters will be disappointed; it’s almost as though the pigment is suspended in a kind of pliable, flexible sheen, so the more you build the more sheenier it gets.

Pat McGrath calls this a “customised couture finish” and I really couldn’t think of a more apt description; it’s the classy, non-obliterating type of finish that you get in a Vogue editorial or at a Paris show. It’s about good skin and not creating a mask. It screams expensive – the blurring particles that give an almost soft focus effect, the “lit from within” glow. But then I do think that the finish somewhat also pivots on the user having relatively blemish-free skin, too.

The most surprising thing about this foundation, though? It’s longwear! Name me a dewy, lighter-than-light base with the texture and comfort of a tinted moisturiser but the elegance of a high-end, finely-formulated foundation that lasts for the whole day? I’ll wait.

Estée Lauder’s Futurist comes pretty close, with its plumpy-bouncy texture and ultra-hydrating finish (review here), but it’s not quite on the same level in terms of refined coverage and glow. Zoom right in on the Sublime Perfection –

– and it’s genuinely almost undetectable on the skin, whereas the Futurist has a slightly more visible dewiness. In terms of hydrating finish, they are on a par, but the Sublime Perfection has been specifically designed to be buildable and tweakable to your exact coverage desires, whereas you wouldn’t want to go silly overboard with layering up the Futurist because it’s so moisturising – you’d just go for a higher coverage foundation.

I have to say though that the Pat McGrath base, even at its sheerest, gives such a heady dose of soft-focus glow that you rarely need to build it up unless you’re going “out out”. I hate the phrase “a little goes a long way” but this really does, especially if you apply with fingertips as you would skincare, rather than a brush.

Here are the before and after photos, although I think that moving film captures the glow best. In fact I almost wish I didn’t have to post the comparison pictures, because it’s in real life and when the light is moving that the skin really comes alive! Nevertheless here we are:

There’s no dramatic total-wipeout of the facial features, but the overall skintone is more even, more glowing whilst retaining the nuances of real skin.

You can probably tell that I like this foundation a lot, even with its couture price-tag. Many would want a better return on investment – a more dramatic transformation – but for those who seek the ultimate “my skin but better” finish, it’s a viable option. It comes in a whopping 36 shades with different undertones well catered for and it’s suitable for any skin type. Though you might want a spot of primer beneath it on oily parts of your face, if you get them. After a full (hot) day I might get some minor slippage on my nose, but at certain times of the month my nose becomes a grease factory and so that’s really splitting hairs.

Apply after moisturiser and/or sunscreen (Sublime Perfection doesn’t contain any, which I kind of like because if I’m out then I always have a standalone SPF on underneath anyway) and use fingertips to sheer out and blend or a brush to build up slightly heavier coverage. I wear a mix of shade 13 and 8 (those were the samples sent out, I didn’t go drunk shopping!) with about two parts 8 to one part 13. So I reckon I would be a 10 or 11 if I actually went out IRL and got matched at a counter.

You can find the full Pat McGrath Labs range at Selfridges on the brand website. The Skin Fetish Sublime Perfection foundation is £60 at Selfridges here*.

If you like that fresh glow  effect then take a look at Clinique’s Even Better Glow here or the aforementioned Estée Lauder Futurist foundation, review here.

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