A while ago I wrote about three of the best SOS moisturiser creams I’d been trying (pictured above). These were soothing, repairing moisturisers that I’d tested out in an attempt to get my skin back on an even keel. (You can read the post here – that particular ailment episode seems a million years ago now, what with constant school bugs and colds and viruses!)
Two of the SOS repair creams I recommended in the previous round-up were on the pricier side and I promised to take a look at some more keenly priced versions. Here I have three of the best inexpensive face creams for rescuing skin that’s dry and sensitive – whether it’s down to changes in the weather or overly-enthusiastic application of skin peels and retinoids.
Signs that your skin might need a bit of extra TLC? It feels tighter than usual, dryer than usual and has perhaps started to itch or to flake. You might see some redness or it might just be that it feels rough and irritated. Sometimes mine feels as though there are tiny annoying hairs stuck to it; quite a lot of the time it’s because my cat has walked over and rubbed his tail all over my face, but now and then, when on close inspection I see there’s nothing there, I know that my skin is in an angsty mood.
I have a bit more info on what I do in times of facial hardship in this skin routine post here – mainly involving “keeping things simple” and “avoiding strong exfoliating ingredients” but I do find that a week or so using potent skin barrier creams in place of my usual moisturisers works a treat.
And so, my top three beauty buys: (more) affordable SOS moisture creams. The first two are ceramide heavy (ceramides are the fatty acids that essentially make up the outer layers of skin, helping to form a nice strong barrier against the outside world) and the third takes a slightly different route to skin nirvana but all apply beautifully are deeply moisturising and have a non-greasy finish.
Curel Intensive Moisture Facial Cream, £19.50 here*. This cream with lightweight texture, but a deeply nourishing action is heaven in a pot. I have nothing bad to say about it. Dreamily fresh and cool to apply but with a surprising richness as it’s massaged in, it is an excellent all-rounder for those who want a face cream with added repair benefits. Brilliant for very dry, very sensitive skin, but it’s not at all greasy so those with combination skin will also find it pretty comfortable.
Dr Jart Ceramidin Cream, £30 here*. Slightly pricier but still offering exceptional value for money, Dr Jart’s Ceramidin Cream acts like a shield over your skin to help prevent moisture loss, keeping it hydrated and happy. It feels almost medicinal, like an ointment, but that makes me warm to it even more!
I often layer these creams over my go-to serum for stressed-skin days: the Toleriane Dermallergo, £28 here*.
This is a clear fluid that’s been formulated for the most sensitive of skin and it has an instant calming effect. It contains an ingredient developed by La Roche-Posay called Neurosensine which immediately relieves signs of sensitive skin including the aforementioned itchiness and tightness and gives a powerful hydration boost.
The third cream I’ve been testing out is from the same Dermallergo range:
La Roche-Posay Toleriane Dermallergo Cream, £18.50 here*. There’s a fluid version as well (same price here*) for those who prefer a lighter texture or who have oily or combination skin but the cream is gloriously soothing and gives a long-lasting feeling of comfort. And joy.
(Comfort-and-joy, good ti-i-dings of comfort and joy!)
Just getting into carol-singing mode, don’t mind me.
Let me know if you have any surefire rescue creams of your own, add them to the comments section below and I’ll give them a try. I like the three I’ve picked out in this post because they all work so well as regular, everyday face creams as well as SOS versions – non-greasy, well-behaved beneath makeup and not so pricey that you’re stingy with the amount you apply…
The post 3 Best Beauty Buys: More Great SOS Rescue Creams appeared first on Ruth Crilly.
Welcome back to the If I Could Only Buy One series, in which I give myself a week-long headache trying to decide on my absolute favourite beauty product from a given category. Please do read the disclaimer on the first post if you’re in any doubt as to how this incredibly important and (potentially) historically significant beauty challenge works.
The given category this time is “tinted moisturisers”: a tricky one to navigate in some ways, because it’s such a broadly-used term. Where do you draw the line? When it a tinted moisturiser no longer a tinted moisturiser? When the coverage becomes so opaque that it’s basically a foundation? (IT Cosmetics CC Cream comes to mind.) Or when the pigment level is so low that it just gives the tiniest hint of warmth and glow to the skin? (I bung these into the “complexion enhancer” category.)
For me, a tinted moisturiser is just that: a product that you can apply as you would a face cream, reasonably haphazardly, with no real need for a brush or applicator sponge and that gives enough coverage and colour to make you look less like an old parsnip. I like a tinted moisturiser to be a moisturiser – it should feel as plumptious and look as dewy as my face cream – and I like it to give a real-skin-but-better sort of radiance. Coverage needs to be relatively comprehensive – enough to even out skin tone and knock back dark circles and redness slightly. I’m not expecting coverage miracles from a tinted moisturiser – it’s more about the fresh, glowing finish – but I am expecting to look much, much better than I did before I put it on.
So which one would I buy if I could only buy one for the rest of my life? When I think of the cult favourites over the years – the Laura Mercier and the Bare Minerals Complexion Rescue, to name a couple – there’s one product that most definitely stands out from the crowd and that is the NARS Pure Radiant Tinted Moisturiser*.
This glossy, hydrating face base is the gold standard of tinted moisturisers; it is glowy, fresh-faced base perfection. Supremely hydrating, my skin feels as moisturised at the end of the day as it did when I first put the tint on – there’s a tangible springiness and dewiness to the finish that simply doesn’t fade as the hours pass by.
In terms of coverage, I’d say it equates to a light-to-medium coverage foundation, somewhere in the realms of Clinique’s Even Better Glow. But with even more glow. It does well over redness at the sides of the nose, it makes a brave start on dark circles and it gives an overall evenness to the skin. It doesn’t mask, not quite, but the coverage is enough to distract. And you can always go over the danger zones with a lightweight concealer. (I find that a very heavy, opaque concealer looks odd over a sheer face base.)
There’s a broad spectrum sunscreen in this formula, SPF30, which is a bonus on days when I’m just nipping out on the school run but not being particularly outdoorsy. (I wouldn’t ever solely rely on the SPF in makeup for being in the sun, mainly because I rarely apply enough product to reach the stated protection level but also because it’s a pain to reapply.)
Read my original review of NARS Pure Radiance Tinted Moisturizer, written in 2012!
Sixteen shades, the most beautiful scent (not that scent should matter in a face base, but oddly it adds significantly to the whole application experience for me!) and with added Vitamin C for helping with longer-term brightness, it’s basically faultless. If I had to scrape the fault barrel to find something wrong with it, I’d probably say that people with oily skin might want to steer away slightly. Not because of the rich texture – the formula’s actually oil-free, which flabbergasts me because it has all the plumpy effect of a luxury oil! – but because the finish is so glossy and shiny. It just never feels that comfortable, having shine on top of shine and in my PMT week I tend to avoid tinted moisturisers for this very reason.
But that’s it – a minuscule caveat. Everyone else, knock yourselves out. You can find NARS Pure Radiance Tinted Moisturizer for £33 at Space NK here* and also at Cult Beauty*, LookFantastic* and Selfridges*.
I use the shade “Groenland”, which I think is a new shade, but previously used “Alaska”. If you need help finding your shade without going in-store then the website Findation.com is pretty accurate and brilliant at working out your shade in pretty much any face base currently in production.
The Cheater’s List
Because I couldn’t do this “one thing” decision without namedropping some others:
For those who want similar coverage but less on the outré glow front and plumpy residue, try Laura Mercier’s Tinted Moisturizer – one of, if not the, original product in this category. It dries down to a more manageable finish if you don’t like too much dew – find it at SpaceNK here*, £36.
For less coverage but a fresher, lighter feel, Bare Minerals Complexion Rescue Gel Cream is unbeatable. The ultimate “slap it on” sort of base, this comes in 20 shades and has a subtle, healthy glow. Find it at Cult Beauty here* – it’s £30.
For similar coverage, slightly less dew but an ethereal, lit-from-within sort of radiance then try Trinny De-Stress Serum, I use the shade “Claire” but I think I could get away with a shade darker for summer. It’s £39 here*.
The post If I Could Only Buy One…Tinted Moisturiser appeared first on Ruth Crilly.
Disclaimer: Ooph, this “If I Could Only Buy One” series is a risk, isn’t it? Firstly, it’s almost impossible to choose a singular favourite from a given category, even if it’s a category with very little competition. My decision-making process feels marred by the thought of all of my other favourites being left out in the cold – if I don’t mention them then do they even exist? And what if I like three things equally? How does one ever choose?
The second big problem with this series is time: favourites change. Do I keep on coming back to update? Or do I leave the original post and then make a new one with the successor? It’s all very complicated and I feel as though I could be updating and adding to it until I’m seventy, when nobody is even still reading blogs and instead experiencing life through their VR headsets. Who’ll need beauty then? Nobody will leave the house! Food will be in a supplement shake that you drink through a tube connected to the VR headset and sex will be with robots.
But it’s supposed to be fun, so let’s keep it light. There are thousands of products I love and that I’d buy over and over again so if something’s not mentioned it doesn’t mean I’ve changed my mind about it, it just wouldn’t be in the spirit of the game if I then included a load of caveats. (I have actually added a “cheater’s list” to the bottom of the page with a few alternative options. I mean it is, quite literally, cheating at my own game, but I found it impossible to pick without knowing I could leave it there!)
We kick off this series with the one luxury cleanser I’d buy if I could only buy one luxury cleanser for the rest of my life. Many of you will have guessed at the brand for this one, but perhaps not the specific product, so prepare to be mildly surprised.
A winning luxury cleanser, in my opinion, needs to be silky and wonderful to massage in, but easy to remove with no waxy or greasy residue. I want it to have the most glorious smell – a smell that transports me to far-flung and exotic places, and this smell should be heady and “of nature” rather than something that smells a bit like posh aftershave. The texture should be a joy – a rich balm would be the obvious choice here – but I’d also like it to be a cleanser that’s not too faffy to use.
The obvious choice would be Emma Hardie’s Moringa Balm*, written about extensively here and here over the years, but I’m going to turn the tables and blow your minds and actually go for the Moringa Light Cleansing Gel*, fully reviewed here.
And I’ll tell you why. (This was a tough call.) Firstly, the pump-action packing is more convenient than a pot. Secondly I feel as though this is the sort of cleanser you’d use for a quick cleanse as well as a more lengthy, sit-in-a-warm-bath sort of cleanse and thirdly, I actually think that the gel texture is utterly beautiful and – weirdly – slightly more hydrating than the balm. It’s also suitable for all skin types – whereas I think oilier people might balk at the idea of the richer balm – and slightly more cost effective, because I find I pump out less product from the bottle than I’d scoop from the pot.
So same unbelievably lovely scent, same cleansing prowess, but a little more convenient to use.
Buy Emma Hardie’s Moringa Light Cleansing Gel*
If you want more of a detailed run-down then read my review post – you can find the supremely luxurious Moringa Light Cleansing Gel here* or in all of the places detailed below, it’s £34, which isn’t horrendously expensive as far as luxury cleansers go! I feel I’ve been distinctly restrained…
Tune in next time for If I Could Only Buy One…Tinted Moisturiser.
The Cheater’s List
Because I couldn’t do this “one thing” decision without namedropping some others:
For a silky balm cleanse with utterly gorgeous Rose scent, the Elemis Pro-Collagen Cleansing Balm, £44 for 100ml here*.
The best-smelling balm cleanser in the world, don’t @ me, but it’s incredibly pricey and so more of a treat, Darphin’s Aromatic Cleansing Balm, £35 for 40ml at SpaceNK here*.
The second best-smelling cleanser in the world and absolutely magical before bedtime – also great for oily/combination skin if you fret about using rich balms – Neal’s Yard Remedies Frankincense Cleanser, £21 here*.
The post If I Could Only Buy One…Luxury Cleanser appeared first on Ruth Crilly.
I still have a few posts to catch up on from the end of last year – drafted but not quite finished – but this one on blemish busters is, I feel, very relevant. Mask-induced spots, or “maskne” as the marketing world coined it, seems to be an ongoing issue for some people, especially those who have to wear proper protective face gear for long periods of time.
I can’t imagine it’s the sort of widespread problem that some brands would like us to think it is – “OH MY GOD MASKNE IS TAKING OVER THE WORLD, BEWARE MASKNE!” – but I suppose that facial skin that is kept covered, possibly slightly hot and sweaty, for any lengthy part of the day is likely to rise up and revolt in the end. Even for those who just occasionally need to don a cloth mask, there’s a feeling of clammy clogginess to the mouth, nose and chin area once the fabric comes off. This might not result in breakouts – there might equally be some dryness or flakiness or, indeed, no apparent change at all – but if you do feel clammy and cloggy then the below may help.
So, three best beauty buys for helping with breakouts, all at different price-points. I actually have a few more bits and pieces to add to this post since I first drafted it (and filmed the accompanying video) last Autumn; you can see those at the bottom of the post. In general, salicylic acid is a good ingredient to look out for if you feel as though you need a good cleaning-out of the pores, just go steady if you find that your skin is on the dry side and follow up with a decent moisturiser. If you’re scared of adding oil to the problem then I really rate the oil-free Toleriane Fluid (here*), it has been a staple in my beauty line-up for many years.
Right, here are the first three of my best buys:
Paula’s Choice 2% BHA Liquid Exfoliant, from £10 online here*: I’ve done a more in-depth review of this here but in a nutshell, this is a wipe-on-and-leave exfoliant that is brilliant at keeping pores clear without feeling harsh or aggressive. I use it once a day (in the morning, usually) during my PMT week to help curb any breakouts and I never feel that it dries my skin, but there are different versions and formats here* if you’re worried and want to check out alternatives from the same range.
Read: The PMT Skin-Saver and Four Ways To Use It
The Ordinary Salicylic 2% Masque, £9 here* (stock coming shortly, it’s always selling out!): this is a brilliant deep-treatment mask that works quickly and effectively to cleanse and purify but isn’t eye-wateringly tingly. You know the masks that make you feel as though your face is on fire? It’s not one of those. You may feel a bit of a warm tickle but it’s nothing like some of those power-player “active” clay masks I’ve tested over the last few years. You need a fan pointed at your face to get through the whole ten minutes!
Not with this one, no fan/cold compress required. I use it as an occasional PMT-week treat when things seem to be getting a bit angsty (salicylic can be quite soothing, despite its spot-busting status) but you could use it once or twice a week if you are oily or spot-prone.
Here’s one for more a more targeted, on-the-spot solution: Kate Somerville EradiKate, £52 online here*. I’ve tried a lot of spot treatments but this works for me quickly and without any major side effects – no flaking or peeling where I’ve been applying and reapplying. Probably because this has actually been formulated as an all-over lotion and not a targeted treatment, so it’s far more forgiving, but it’s so pokey that I can’t bring myself to use it all over!
At any rate, I tend to get very localised breakouts and not very often so it would be utter madness to cover my whole face in this. Anyway, it’s salicylic plus retinol in a lightweight cream – if you’ve previously tried the proper Kate Somerville EradiKate, with the pink lotion you dip into, this is nothing like that.
If you do want something for all over the face but not so spendy then I still think that the Effaclar Duo+ from La Roche-Posay is excellent (it’s here* online, £17) and they’ve recently introduced a new serum (here*) that promises a more concentrated formula combining salicylic with LHA and glycolic acid. I haven’t had the opportunity to test this out properly yet so please let me know in the comments if you have tried it and what you thought!
I’m going to also add the Active Clay Cleanser from Dermalogica (£35 here*) onto my blemish-busting list because it’s a low-key version of the Salicylic Masque mentioned above. I used this every day for about a month and my skin didn’t ever feel tight or dried out, just really very clean. I’d leave it on for a minute or two, because it just felt as though I should, and it’s now most definitely a cleanser I like to have lined up along the side of my bath for my nightly ablutions.
There’s a video to go alongside this post, it’s in the IGTV section of my Instagram page and you can reach it via this link. Enjoy!
The post 3 Best Beauty Buys: Blemish Busters appeared first on A Model Recommends.
I’ve started a little series on Instagram that I hope to keep regularly adding posts to; it’s called 3 Best Beauty Buys, which isn’t the most inventive of feature names, but it’ll do what it says on the tin and that’s what counts! I’ve already done a quick IGTV feature on Maskne products (Maskne is the new, vaguely annoying term for blemishes and outbreaks that have been brought about by the wearing of a facemask) and you can watch that here, but now I’m prepping a video on the best firming eye creams and so I thought I’d take you along for the ride.
I always have to write myself an abundance of notes before I start filming something, otherwise I go off on crazy tangents, talking about parking woes and singing foxes and the complexities of British queueing etiquette. And it makes some sort of sense for me to write those research notes here on the website, so that you all get a handy post out of it, rather than scribbling them on the back of a council tax bill and chucking it all in the recycling afterwards…
And so here are three great firming eye creams that I’ve had noticeable results with. My usual eye cream, for reference, is the Kiehl’s Powerful Strength Line-Reducing Serum (find more details in posts here) but after a summer-long love affair with everything antioxidant and Vitamin-C-heavy, I’m turning my attention to the super-firmers.
Let’s go in with a sharp intake of breath and the priciest option – the DCL Peptide Plus Eye Treatment – which is £86 at Cult Beauty here*. DCL burst onto the UK scene a few years ago and the products are so good – really well-formulated and effective – but I haven’t heard that much noise about them since. This powerful eye cream is deeply hydrating but also focuses on helping to increase elasticity around the delicate eye area so that fine lines are smoothed. It mentions dark circles on the marketing material, but I don’t find that anything helps that much with dark circles if you have them severely – this is definitely one for firming and making everything just feel a bit more…robust. I gave it a very lengthy and intense trial last year but my review got pushed to the side when the world fell apart. So here: it’s a good ‘un – I’m on my second bottle.
My next “pick of the bunch” would be Paula’s Choice Clinical Ceramide-Enriched Firming Eye Cream, which is £43 here*. I didn’t realise until quite far down the road that this contained retinol as well as a wheelbarrow-load of ceramides for strengthening delicate, crepey skin. This is the most advanced eye cream available from Paula’s Choice, which excites me; I feel as though their formulas are always really well-considered and offer solid, marketing-bollocks-free options for the crowd who want no-nonsense answers to their skincare complaints. Love the pump-action bottle (DCL’s is the same sort of packaging) and the rich texture of the cream. It feels instantly relieving if your skin is chronically dry around the eyes.
When it comes to Vichy’s Neovadiol Rose Platinum Eye Cream (online here*) I have to admit that I was entirely seduced by the packaging! I’ve really gone off pots of stuff because the cream gets under my nails and annoys me and it just feels less…clean…than tubes and bottles, but this teeny pink pot just felt so unbelievably retro.
As though I had been transported to the 60s and sauntered down to a Parisian pharmacie to pick up a cold cream and some velcro rollers for my hair but thrown un petit creme pour les yeux for good measure. It’s a total trinket of beauty treasure and the eye cream inside is equally as delicious. Rose pink – so nostalgic! – and really very rich and buttery so that it feels nourishing and comforting straight away. I’ve just seen that it targets the signs of ageing caused by the menopause but it seems just as appropriate for signs of ageing caused by the half term holiday. It’s also £18 rather than £27 at Escentual here* until the end of October.
Right, keep a lookout for the video on IGTV – I’m here if you use Instagram but you’re not already following!
The post 3 Best Beauty Buys: Firming Eye Creams appeared first on A Model Recommends.
I think that Chanel’s new Les Beiges Healthy Glow Makeup is an absolute triumph of a foundation relaunch. It’s so tweaked that it’s barely the same product. I didn’t ever properly review the original Healthy Glow foundation because – to get straight to the point – I wasn’t that keen on it. I had my favourite Chanel foundation already (Perfection Lumiere Velvet, now discontinued) and the Healthy Glow, for me, didn’t bring much extra to the party. Perfection Lumiere Velvet gave the most refined, flawless finish with the lightest of touches and subtlest of glows (God only knows why you’d stop making such an absolute gem of a base) and Les Beiges gave sort of the same coverage and semi-matte finish but didn’t seem to so seamlessly disappear.
But here it is, relaunched and with twice as many shades available; it’s fresh-feeling where the original sometimes felt slightly claggy, the coverage is more sheer, more buildable and more elegant – no opaque masks here! – and the makeup feels as though it’s part of the skin rather than sitting on top in a layer.
The new version is way more hydrating too – it’s not quite on a par with Pat McGrath’s or Lauder’s Futurist, but it’s on its way. Layered over a good juicy moisturiser it looks and feels dewier and more alive than the original, but with good longevity and very little in the way of slippage in oilier zones it offers the best of both worlds: the real-skin benefits of a tinted moisturiser, the finish and coverage of a semi-velvety foundation.
Let’s take a look at the before and after photos…
This is just one very light coat of the Healthy Glow Makeup, applied with a flat-top kabuki-style foundation brush, but you can see how effortlessly it perfects the skin whilst leaving a believable, healthy sheen. This version of Les Beiges Healthy Glow really lives up to its name – there’s glow but it is very much on the natural end of the spectrum. No strobing effects here! Coverage is on the lighter side of medium but you can easily build up where you need more base and it never looks heavy or caked.
Here are the close-ups – you can see how fine and chic the finish is and that it doesn’t obliterate every imperfection but leaves a gorgeous, flexible sort of veil that evens out the skintone and adds a hint of glow:
I usually find it really hard to get into my foundation reviews – I dither about this and that and spend weeks trying it out in every sort of condition, with heavy face creams beneath or with powders on top – but I have to say that this review has been easy. Les Beiges was such a spectacularly pleasant surprise even on the first application – it’s nothing like Perfection Lumiere Velvet, my old favourite, but it definitely offers up a solid replacement.
Buy Chanel Les Beiges Healthy Glow Makeup*
On a practical note, the new version of Les Beiges Healthy Glow doesn’t contain an SPF. I actually prefer this because I tend to wear a dedicated SPF anyway and apply foundation on top. Many like to use the sunscreen in their makeup product as a sort of light protection against incidental sun exposure, but I’m usually either all in or all out and I quite like to tick off my SPF requirement as I do my skincare routine.
Either way, it’s easy enough to add the sunscreen step before foundation if you need to, but I think that the formula feels lighter and more elegant without it built in.
So to recap: the changes in this new formula are many and varied. No SPF, much more hydrating, a lighter feel and a sheerer finish, more of a dewy glow. Over twice as many shades and slightly different packaging.
Who will love this? I honestly think that it will suit most skin types, including those on the oily side so long as they use a primer in the places they tend to have trouble with. It’s not a greasy finish by any stretch of the imagination but the formula is really hydrating so drier skin will love it – those who want a discrete, grown-up foundation that looks barely there but is actually working quite hard behind the scenes will also rate this.
I’m wearing shade B30 but will need to step back to B20 in the winter months as my lockdown tan dissipates and I apply using a brush. I usually wear a hydrating serum and moisturiser combo beneath this base – I find that too rich a cream makes most foundations just a little bit slidey – and I never need to set it with powder.
You can find the new Chanel Les Beiges Healthy Glow foundation at Chanel here* – it’s £41. Don’t confuse it with the old version, one that most stockists still seem to be selling! If it says SPF25 on the bottle or in the title then that’s not the guy you want…
The post Foundation Review: Chanel Les Beiges Healthy Glow Makeup appeared first on A Model Recommends.
I don’t have an amazing track record with mascara-testing. Firstly, I am massively picky when it comes to what I put on my lashes, which means that I hate most mascaras and quickly become disgruntled when I have to test a whole run of them. (I like my mascaras to be just tacky enough to give volume but not require a blowtorch and chisel to remove, I like the brush to be precise enough not to spread product all over my eyelids but big enough to create lift and length. The list continues but I wouldn’t want you to fall asleep.)
So as I said, I’m picky, which means that I relegate most test samples to the sin bin after a couple of uses, but I’m also sensitive around the eye area which means that I can only test one or two a day before my eyes start streaming and the skin gets red and raw. It’s a slow and arduous process, then, and one that I’ll only drum up the enthusiasm for once in a blue moon.
Fortunately for you (if you’re interested in mascaras!) it’s that blue moon kind of time and I’ve been putting up with eyes that look as though they’ve been weeping battery fluid just so that I can bring you the best of the new luxury mascara launches.
The idea was to rate all of these with scores out of ten for various things like longevity, ease of application, depth of colour, but let’s be frank: they’re all black, none of them come off easily and the wand size and flexibility (hoho) is all about personal preference, so vaguely irrelevant.
But if you have flattish, fine and fair lashes like mine and tend to coat your eyelid in product when applying then you’re in a similar beauty boat to me and you’ll hopefully love these new launches as much as I do.
Charlotte Tilbury Push Up Lashes Mascara, £12/£23 at SpaceNK here*. Best for flat, drab lashes that refuse to go upwards, this really does push up by depositing a load of mascara at the base of the lash before sweeping the volume through to the ends. I find this one the messiest, so be warned on that front if you tend to need an hour to clean up after you’ve put on your mascara! Out of the four this is the one that gives me a tiny but of dropping and flaking towards the end of a long wear, but it’s nothing massively noticeable.
Dior Iconic Overcurl Mascara, £28 at Selfridges here*. I think that this is my favourite of the lot. I’m not sure it beats Dior’s Pump ‘n’ Volume, which is one of the greatest mascaras of all time, but it’s up there. Pump ‘n’ Volume (find it at FeelUnique here*) is like the Batman of mascaras, with its rubbery suit packaging and its ability to coat each and every lash with about a kilo of product without any clumping; the Iconic Overcurl is just ever so slightly more refined. I need to do a side-by-side comparison on these don’t I?
Marc Jacobs At Lash’d Mascara, £25 at Harvey Nichols here*. I’d say that this mascara is perfect for the smaller-lash’d amongst us as the brush is ever-so-slightly more petite. I get the least amount of lid-painting carnage with this one but I still get great volume and brilliant lash separation. For those who can’t abide the formation of those lash-fans that you get when all of your lashes start off nicely separated but then five or six of them join together at the ends to form a super-clump, this is important. Because when you get a lash-fan it follows that you then have to find something sharp and pointy to separate them out again, which inevitably is the pin from one of those freebie hotel sewing kits, and then it’s so fine you can’t actually see it, because you’re long-sighted and anything within a foot of your face is invisible, and then you pierce your own eyeball and it’s all game over and who needs mascara anyway when you have to permanently wear an eye patch.
NARS Climax Extreme Mascara, £22 at SpaceNK here*. Annoying name, because honestly, I’m not a prude, but I don’t want everything to be about sex. What has mascara got to do with sex? Unless you like to groom your private areas with your mascara (brings a new meaning to the term “bottom lashes”), but that would be weird. Anyway, this is a very good mascara with huge volume and a sort of matte, rubbery finish on the lashes rather than a shiny one. You could get away with one coat of this (and the Dior Iconic, come to think of it) but as with most mascaras this really comes into its own on the second.
Watch the video to see all of these mascaras in action – I’m going to do the same thing for some high street launches too, when I get a second and my eyes have recovered. Honestly it’s as though someone’s brillo-padded the skin off my undereyes.
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I don’t think I’ve ever had so many questions and comments about a foundation as I have about the Pat McGrath Labs Skin Fetish Sublime Perfection. I photographed myself oh-so-casually wearing it on Instagram stories and it has made background appearances in some of my videos; each time I’ve mentioned it I’ve been inundated with DMs about how long it lasts, how good the coverage is and which shade I wear.
And so here’s a proper, in-depth review. I’ll start out with the same warning regarding the price that I gave on Instagram: it’s £60 in the UK. Incredibly pricey, but I have to say that very few people I spoke to seemed perturbed by this quite considerable financial outlay. Surprisingly. Which makes me think that Pat McGrath and her marketing team have done an epic job of carving out a niche in the highest end of the cosmetics market – if you can establish yourself to the point where beauty-aficionados don’t flinch too much at a sixty quid face base then I’d say you’re doing pretty well!
The brand showcases clever formulations in luxurious packaging and is most definitely powered by Pat’s reputation as one of the world’s most successful and inventive makeup artists. I’d say that the Sublime Perfection foundation is one of the hero products, but then I’m really into “skin looking like skin” and so I’m possibly biased.
But Sublime Perfection is more than your standard kind of “real skin” foundation – it has a few tricks up its proverbial sleeve that I think sets it apart from the rest when it comes to achieving the holy grail of makeup – a flawless finish that still looks believable. It has the sort of finish that looks supple, dewy, bouncy and fresh yet still manages to blur imperfections and create a perfect canvas, but there are some very notable bonuses, which I’m going to come to after another disclaimer.
I have good skin.
I say this not to brag, but to be helpful, because a foundation that I love, that makes my skin look visibly perfected and dewy, might not feel so magical if you have blemishes that need a full coverage to be concealed. This Skin Fetish Sublime Perfection potion is sheer. Yes it’s buildable, as I’m about to delve into in more detail, but the medium coverage is almost a perceived medium – as in minor imperfections are cleverly blurred and veiled – rather than the solid coverage you might get traditionally.
So, the notable bonuses – what sets Sublime Perfection foundation apart from the rest?
Well as I said, it’s buildable. And I mean properly buildable, not just “let’s see what happens if I tap a bit more under the eyes because I can’t be bothered to look for my concealer” buildable. You can go from sheerest sheer, which Sublime Perfection handles impeccably because the formula is so hydrating, right up to a medium-ish coverage.
Now loads of foundations are buildable; the difference with this one is that it retains its freshness and increases its sheen as the coverage builds. Which is quite a feat. Usually the more you apply, the more you start to look a little flat, but here we have a coverage that is comprehensive but a finish that is expensive, glowing and bouncy with the same feeling of sheerness as with a light application.
You never get a blanket, opaque coverage, so full coverage-hunters will be disappointed; it’s almost as though the pigment is suspended in a kind of pliable, flexible sheen, so the more you build the more sheenier it gets.
Pat McGrath calls this a “customised couture finish” and I really couldn’t think of a more apt description; it’s the classy, non-obliterating type of finish that you get in a Vogue editorial or at a Paris show. It’s about good skin and not creating a mask. It screams expensive – the blurring particles that give an almost soft focus effect, the “lit from within” glow. But then I do think that the finish somewhat also pivots on the user having relatively blemish-free skin, too.
The most surprising thing about this foundation, though? It’s longwear! Name me a dewy, lighter-than-light base with the texture and comfort of a tinted moisturiser but the elegance of a high-end, finely-formulated foundation that lasts for the whole day? I’ll wait.
Estée Lauder’s Futurist comes pretty close, with its plumpy-bouncy texture and ultra-hydrating finish (review here), but it’s not quite on the same level in terms of refined coverage and glow. Zoom right in on the Sublime Perfection –
– and it’s genuinely almost undetectable on the skin, whereas the Futurist has a slightly more visible dewiness. In terms of hydrating finish, they are on a par, but the Sublime Perfection has been specifically designed to be buildable and tweakable to your exact coverage desires, whereas you wouldn’t want to go silly overboard with layering up the Futurist because it’s so moisturising – you’d just go for a higher coverage foundation.
I have to say though that the Pat McGrath base, even at its sheerest, gives such a heady dose of soft-focus glow that you rarely need to build it up unless you’re going “out out”. I hate the phrase “a little goes a long way” but this really does, especially if you apply with fingertips as you would skincare, rather than a brush.
Here are the before and after photos, although I think that moving film captures the glow best. In fact I almost wish I didn’t have to post the comparison pictures, because it’s in real life and when the light is moving that the skin really comes alive! Nevertheless here we are:
There’s no dramatic total-wipeout of the facial features, but the overall skintone is more even, more glowing whilst retaining the nuances of real skin.
You can probably tell that I like this foundation a lot, even with its couture price-tag. Many would want a better return on investment – a more dramatic transformation – but for those who seek the ultimate “my skin but better” finish, it’s a viable option. It comes in a whopping 36 shades with different undertones well catered for and it’s suitable for any skin type. Though you might want a spot of primer beneath it on oily parts of your face, if you get them. After a full (hot) day I might get some minor slippage on my nose, but at certain times of the month my nose becomes a grease factory and so that’s really splitting hairs.
Apply after moisturiser and/or sunscreen (Sublime Perfection doesn’t contain any, which I kind of like because if I’m out then I always have a standalone SPF on underneath anyway) and use fingertips to sheer out and blend or a brush to build up slightly heavier coverage. I wear a mix of shade 13 and 8 (those were the samples sent out, I didn’t go drunk shopping!) with about two parts 8 to one part 13. So I reckon I would be a 10 or 11 if I actually went out IRL and got matched at a counter.
You can find the full Pat McGrath Labs range at Selfridges on the brand website. The Skin Fetish Sublime Perfection foundation is £60 at Selfridges here*.
If you like that fresh glow effect then take a look at Clinique’s Even Better Glow here or the aforementioned Estée Lauder Futurist foundation, review here.
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There’s something deeply satisfying about applying a cream eyeshadow with fingertips – it must appeal to the toddler in me. The teeny pots of “paint”, the relatively slapdash approach to sticking a finger in and then swiping it across the eyelid… It’s makeup that feels effortless, despite the fact that it takes about the same effort as using a powder shadow and brush. It feels low-key because there’s just one shade and it seems straightforward because “patting around the edges with your finger” doesn’t sound nearly as difficult as “blending into the crease with a MAC 217.” To my brain, at least, cream shadow application is distinctly untechnical and unscary.
The latest cream shadows to grab my attention are from Trinny London’s Mother Earth collection here*. There are four shadows, two of which are distinctly terracotta in tone, all of which have the classic longwear Eye2Eye formula. Easy on, not so easy off. Don’t get me wrong, there are cream and mousse shadows in pots with far greater longevity (some even require waterproof makeup remover to cleanse them off) but I like the sheerness of the Trinny shadows because it makes them virtually foolproof. You could very possibly put them on in the dark and they’d still turn out OK.
The reason that this collection tickled my proverbial fancy was that I had recently seen a video on Zoe Taylor’s makeup Instagram channel where she had worked magic with a terracotta eyeshadow. You can see the video here – Zoe works with Chanel and so uses Chanel products, but it’s the overall look that I love.
Some shy away from reds, understandably, because they can make you look as though you’ve just been through a month-long acrimonious break-up, but Zoe uses it so well in her video. It inspired me.
Obviously my own makeup looks nothing like hers but it’s the thought that counts! On my eyes I have Truth (a reddish brown without any shimmer) as a base and then Fortitude on top. Fortitude is the strongest of the four shades and has a real metallic edge to it – it’s a deep metallic burgundy and quite striking.
Clockwise from the right we have Truth, the aforementioned reddish brown, then Fortitude, the metallic burgundy. Next pot around the clock is Courage, a pinky metallic copper and then possibly the “safest” of the bunch, Hope, which is a goldeny peach. Very versatile, this one, as it can be used as a base or simply to brighten the lids, it has a little more freshness and zing than a plain golden beige.
But it’s the less spangly shadow I’ve ended up veering towards for everyday use (funny that, I’m usually so outré with my makeup choices) (note sarcasm); the cream shadow in Truth. It still has a great big whack of red in it but I find it incredibly easy to wear and it’s ever so flattering on skin that has been sunkissed over the summer months.
Thinking about it, these are the perfect shadows for late summer and autumn – they have loads of warmth and just the right degree of sparkle. Nothing overtly festive but they’re colourful enough to keep the spirit of the long hot summer alive. Although I’m probably not alone in wanting to forget many parts of the long hot summer, considering much of it was spent in various states of lockdown!
You can see the shadows in action in my IGTV review here and all four shades are on the Trinny London website here*. They are £18 each and the pots click together to stack for ease of use.
I’ve had loads of requests now for various Trinny product reviews and am currently looking at some bases and cream bronzers, but if you’re after the perfect uplifting blush with just the right amount of pink to perk things up then I can highly recommend Electra, here*.
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Let’s get down to business, in the words of Captain Li Shang from Mulan. (Can you tell I’ve overdone it on the Disney+ channel binging? There’s no Disney stone left unturned in this house. As well as devouring the classics, we’ve watched every prequel and sequel, some of which, quite frankly, should never have been made. Of particular direness is The Little Mermaid II: Return to the Sea, a weak coming-of-age story involving Ariel’s annoying teenage daughter and an underwater villain wearing what appears to be a latex Roland Mouret dress.) (Sidenote: how buff is King Triton? I actually blushed when he tailed his way into shot, not least because he’s now a grandad and it feels inappropriate to stare. He has a tiny merman waist and then this HUGE, ripped chest! I don’t know, it got me going anyway. Niche but true.)
But back to the business of brilliant beauty and a much-belated foundation review. You know how I love my dewy, low-key bases and Estée Lauder’s Futurist Hydra Rescue was an instant hit with its bouncy texture and healthy, radiant finish. If your skin is dry then you’ll love it – it feels thirst-quenching, it looks thirst-quenching and it doesn’t sit horribly in fine lines or wrinkles. (In fact any but the oiliest of skins will find it gives a gorgeous, understated dewiness.) And if you hate full or matte coverage and want a natural finish that’ll still manage to even out skintone and cover up minor blemishes and bits of redness then this will be entirely your bag. It has the comforting plumpness of a tinted moisturiser but the coverage of a foundation – ideal summertime makeup.
(Or anytime makeup, really; you can build this up really well if you prefer a fuller coverage and it sheers out nicely if you mix it with a little bit of moisturiser.)
Let’s go straight in for the close-ups – here’s the before and after:
You can see that it’s not a blank-it-all-out foundation, but it gives a general evenness in tone, knocks back dark circles and leaves the skin with a juicy sheen. (Unfortunately it does nothing for my side-tache problem, but obviously that requires more drastic action. Something sharp and/or pointy.)
I’ve only applied one quick layer of the Futurist Hydra Rescue Moisturizing Makeup here – one thing to note is that it is very moisturising and so if you wanted to build it up to a fuller coverage then you’d have to deal with the extra moisture. If you have very dry skin then that’s all fine and dandy but for anyone else then it’s a bit of a convoluted way of getting high coverage – if it’s blemish obliteration you’re after, but still want glow, then I’d opt for something like Dior’s Forever Skin Glow*.
But with a sensible, medium-coverage application of the Futurist foundation there’s no residue left behind on the skin – it just feels comfortable. Surely that’s foundation finish perfection? In terms of lasting effects I get good coverage for the majority of the day with only a tiny bit of slippage on oilier areas – for me that’s the nose and chin. Again, something like Dior’s Forever would have better longevity, but I wouldn’t get that same plumptious feel and ultra-fresh, informal kind of look.
Estée Lauder’s Futurist gets a huge tick from me – it’s such a welcome addition to their foundation line-up. There are twenty shades (of which six are light, six are medium and eight are dark) the tube packaging with the pump dispenser is lightweight, travel-friendly and non-messy and there’s a built-in broad spectrum sunscreen (UVA and UVB protection) with SPF45.
You can find Estée Lauder Futurist Hydra Rescue Moisturizing Makeup online here* for £36 as well as at Feel Unique here* and Selfridges here*. I use shade 2N1.
If you’re looking for the same dewy glow but slightly less coverage, I’d highly recommend Clinique’s Even Better Glow – you can find my full review here.
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