I’ve started a little series on Instagram that I hope to keep regularly adding posts to; it’s called 3 Best Beauty Buys, which isn’t the most inventive of feature names, but it’ll do what it says on the tin and that’s what counts! I’ve already done a quick IGTV feature on Maskne products (Maskne is the new, vaguely annoying term for blemishes and outbreaks that have been brought about by the wearing of a facemask) and you can watch that here, but now I’m prepping a video on the best firming eye creams and so I thought I’d take you along for the ride.
I always have to write myself an abundance of notes before I start filming something, otherwise I go off on crazy tangents, talking about parking woes and singing foxes and the complexities of British queueing etiquette. And it makes some sort of sense for me to write those research notes here on the website, so that you all get a handy post out of it, rather than scribbling them on the back of a council tax bill and chucking it all in the recycling afterwards…
And so here are three great firming eye creams that I’ve had noticeable results with. My usual eye cream, for reference, is the Kiehl’s Powerful Strength Line-Reducing Serum (find more details in posts here) but after a summer-long love affair with everything antioxidant and Vitamin-C-heavy, I’m turning my attention to the super-firmers.
Let’s go in with a sharp intake of breath and the priciest option – the DCL Peptide Plus Eye Treatment – which is £86 at Cult Beauty here*. DCL burst onto the UK scene a few years ago and the products are so good – really well-formulated and effective – but I haven’t heard that much noise about them since. This powerful eye cream is deeply hydrating but also focuses on helping to increase elasticity around the delicate eye area so that fine lines are smoothed. It mentions dark circles on the marketing material, but I don’t find that anything helps that much with dark circles if you have them severely – this is definitely one for firming and making everything just feel a bit more…robust. I gave it a very lengthy and intense trial last year but my review got pushed to the side when the world fell apart. So here: it’s a good ‘un – I’m on my second bottle.
My next “pick of the bunch” would be Paula’s Choice Clinical Ceramide-Enriched Firming Eye Cream, which is £43 here*. I didn’t realise until quite far down the road that this contained retinol as well as a wheelbarrow-load of ceramides for strengthening delicate, crepey skin. This is the most advanced eye cream available from Paula’s Choice, which excites me; I feel as though their formulas are always really well-considered and offer solid, marketing-bollocks-free options for the crowd who want no-nonsense answers to their skincare complaints. Love the pump-action bottle (DCL’s is the same sort of packaging) and the rich texture of the cream. It feels instantly relieving if your skin is chronically dry around the eyes.
When it comes to Vichy’s Neovadiol Rose Platinum Eye Cream (online here*) I have to admit that I was entirely seduced by the packaging! I’ve really gone off pots of stuff because the cream gets under my nails and annoys me and it just feels less…clean…than tubes and bottles, but this teeny pink pot just felt so unbelievably retro.
As though I had been transported to the 60s and sauntered down to a Parisian pharmacie to pick up a cold cream and some velcro rollers for my hair but thrown un petit creme pour les yeux for good measure. It’s a total trinket of beauty treasure and the eye cream inside is equally as delicious. Rose pink – so nostalgic! – and really very rich and buttery so that it feels nourishing and comforting straight away. I’ve just seen that it targets the signs of ageing caused by the menopause but it seems just as appropriate for signs of ageing caused by the half term holiday. It’s also £18 rather than £27 at Escentual here* until the end of October.
Right, keep a lookout for the video on IGTV – I’m here if you use Instagram but you’re not already following!
I think that Chanel’s new Les Beiges Healthy Glow Makeup is an absolute triumph of a foundation relaunch. It’s so tweaked that it’s barely the same product. I didn’t ever properly review the original Healthy Glow foundation because – to get straight to the point – I wasn’t that keen on it. I had my favourite Chanel foundation already (Perfection Lumiere Velvet, now discontinued) and the Healthy Glow, for me, didn’t bring much extra to the party. Perfection Lumiere Velvet gave the most refined, flawless finish with the lightest of touches and subtlest of glows (God only knows why you’d stop making such an absolute gem of a base) and Les Beiges gave sort of the same coverage and semi-matte finish but didn’t seem to so seamlessly disappear.
But here it is, relaunched and with twice as many shades available; it’s fresh-feeling where the original sometimes felt slightly claggy, the coverage is more sheer, more buildable and more elegant – no opaque masks here! – and the makeup feels as though it’s part of the skin rather than sitting on top in a layer.
The new version is way more hydrating too – it’s not quite on a par with Pat McGrath’s or Lauder’s Futurist, but it’s on its way. Layered over a good juicy moisturiser it looks and feels dewier and more alive than the original, but with good longevity and very little in the way of slippage in oilier zones it offers the best of both worlds: the real-skin benefits of a tinted moisturiser, the finish and coverage of a semi-velvety foundation.
Let’s take a look at the before and after photos…
This is just one very light coat of the Healthy Glow Makeup, applied with a flat-top kabuki-style foundation brush, but you can see how effortlessly it perfects the skin whilst leaving a believable, healthy sheen. This version of Les Beiges Healthy Glow really lives up to its name – there’s glow but it is very much on the natural end of the spectrum. No strobing effects here! Coverage is on the lighter side of medium but you can easily build up where you need more base and it never looks heavy or caked.
Here are the close-ups – you can see how fine and chic the finish is and that it doesn’t obliterate every imperfection but leaves a gorgeous, flexible sort of veil that evens out the skintone and adds a hint of glow:
I usually find it really hard to get into my foundation reviews – I dither about this and that and spend weeks trying it out in every sort of condition, with heavy face creams beneath or with powders on top – but I have to say that this review has been easy. Les Beiges was such a spectacularly pleasant surprise even on the first application – it’s nothing like Perfection Lumiere Velvet, my old favourite, but it definitely offers up a solid replacement.
On a practical note, the new version of Les Beiges Healthy Glow doesn’t contain an SPF. I actually prefer this because I tend to wear a dedicated SPF anyway and apply foundation on top. Many like to use the sunscreen in their makeup product as a sort of light protection against incidental sun exposure, but I’m usually either all in or all out and I quite like to tick off my SPF requirement as I do my skincare routine.
Either way, it’s easy enough to add the sunscreen step before foundation if you need to, but I think that the formula feels lighter and more elegant without it built in.
So to recap: the changes in this new formula are many and varied. No SPF, much more hydrating, a lighter feel and a sheerer finish, more of a dewy glow. Over twice as many shades and slightly different packaging.
Who will love this? I honestly think that it will suit most skin types, including those on the oily side so long as they use a primer in the places they tend to have trouble with. It’s not a greasy finish by any stretch of the imagination but the formula is really hydrating so drier skin will love it – those who want a discrete, grown-up foundation that looks barely there but is actually working quite hard behind the scenes will also rate this.
I’m wearing shade B30 but will need to step back to B20 in the winter months as my lockdown tan dissipates and I apply using a brush. I usually wear a hydrating serum and moisturiser combo beneath this base – I find that too rich a cream makes most foundations just a little bit slidey – and I never need to set it with powder.
You can find the new Chanel Les Beiges Healthy Glow foundation at Chanel here* – it’s £41. Don’t confuse it with the old version, one that most stockists still seem to be selling! If it says SPF25 on the bottle or in the title then that’s not the guy you want…
The post Foundation Review: Chanel Les Beiges Healthy Glow Makeup appeared first on A Model Recommends.
I don’t have an amazing track record with mascara-testing. Firstly, I am massively picky when it comes to what I put on my lashes, which means that I hate most mascaras and quickly become disgruntled when I have to test a whole run of them. (I like my mascaras to be just tacky enough to give volume but not require a blowtorch and chisel to remove, I like the brush to be precise enough not to spread product all over my eyelids but big enough to create lift and length. The list continues but I wouldn’t want you to fall asleep.)
So as I said, I’m picky, which means that I relegate most test samples to the sin bin after a couple of uses, but I’m also sensitive around the eye area which means that I can only test one or two a day before my eyes start streaming and the skin gets red and raw. It’s a slow and arduous process, then, and one that I’ll only drum up the enthusiasm for once in a blue moon.
Fortunately for you (if you’re interested in mascaras!) it’s that blue moon kind of time and I’ve been putting up with eyes that look as though they’ve been weeping battery fluid just so that I can bring you the best of the new luxury mascara launches.
The idea was to rate all of these with scores out of ten for various things like longevity, ease of application, depth of colour, but let’s be frank: they’re all black, none of them come off easily and the wand size and flexibility (hoho) is all about personal preference, so vaguely irrelevant.
But if you have flattish, fine and fair lashes like mine and tend to coat your eyelid in product when applying then you’re in a similar beauty boat to me and you’ll hopefully love these new launches as much as I do.
Charlotte Tilbury Push Up Lashes Mascara, £12/£23 at SpaceNK here*. Best for flat, drab lashes that refuse to go upwards, this really does push up by depositing a load of mascara at the base of the lash before sweeping the volume through to the ends. I find this one the messiest, so be warned on that front if you tend to need an hour to clean up after you’ve put on your mascara! Out of the four this is the one that gives me a tiny but of dropping and flaking towards the end of a long wear, but it’s nothing massively noticeable.
Dior Iconic Overcurl Mascara, £28 at Selfridges here*. I think that this is my favourite of the lot. I’m not sure it beats Dior’s Pump ‘n’ Volume, which is one of the greatest mascaras of all time, but it’s up there. Pump ‘n’ Volume (find it at FeelUnique here*) is like the Batman of mascaras, with its rubbery suit packaging and its ability to coat each and every lash with about a kilo of product without any clumping; the Iconic Overcurl is just ever so slightly more refined. I need to do a side-by-side comparison on these don’t I?
Marc Jacobs At Lash’d Mascara, £25 at Harvey Nichols here*. I’d say that this mascara is perfect for the smaller-lash’d amongst us as the brush is ever-so-slightly more petite. I get the least amount of lid-painting carnage with this one but I still get great volume and brilliant lash separation. For those who can’t abide the formation of those lash-fans that you get when all of your lashes start off nicely separated but then five or six of them join together at the ends to form a super-clump, this is important. Because when you get a lash-fan it follows that you then have to find something sharp and pointy to separate them out again, which inevitably is the pin from one of those freebie hotel sewing kits, and then it’s so fine you can’t actually see it, because you’re long-sighted and anything within a foot of your face is invisible, and then you pierce your own eyeball and it’s all game over and who needs mascara anyway when you have to permanently wear an eye patch.
NARS Climax Extreme Mascara, £22 at SpaceNK here*. Annoying name, because honestly, I’m not a prude, but I don’t want everything to be about sex. What has mascara got to do with sex? Unless you like to groom your private areas with your mascara (brings a new meaning to the term “bottom lashes”), but that would be weird. Anyway, this is a very good mascara with huge volume and a sort of matte, rubbery finish on the lashes rather than a shiny one. You could get away with one coat of this (and the Dior Iconic, come to think of it) but as with most mascaras this really comes into its own on the second.
Watch the video to see all of these mascaras in action – I’m going to do the same thing for some high street launches too, when I get a second and my eyes have recovered. Honestly it’s as though someone’s brillo-padded the skin off my undereyes.
I don’t think I’ve ever had so many questions and comments about a foundation as I have about the Pat McGrath Labs Skin Fetish Sublime Perfection. I photographed myself oh-so-casually wearing it on Instagram stories and it has made background appearances in some of my videos; each time I’ve mentioned it I’ve been inundated with DMs about how long it lasts, how good the coverage is and which shade I wear.
And so here’s a proper, in-depth review. I’ll start out with the same warning regarding the price that I gave on Instagram: it’s £60 in the UK. Incredibly pricey, but I have to say that very few people I spoke to seemed perturbed by this quite considerable financial outlay. Surprisingly. Which makes me think that Pat McGrath and her marketing team have done an epic job of carving out a niche in the highest end of the cosmetics market – if you can establish yourself to the point where beauty-aficionados don’t flinch too much at a sixty quid face base then I’d say you’re doing pretty well!
The brand showcases clever formulations in luxurious packaging and is most definitely powered by Pat’s reputation as one of the world’s most successful and inventive makeup artists. I’d say that the Sublime Perfection foundation is one of the hero products, but then I’m really into “skin looking like skin” and so I’m possibly biased.
But Sublime Perfection is more than your standard kind of “real skin” foundation – it has a few tricks up its proverbial sleeve that I think sets it apart from the rest when it comes to achieving the holy grail of makeup – a flawless finish that still looks believable. It has the sort of finish that looks supple, dewy, bouncy and fresh yet still manages to blur imperfections and create a perfect canvas, but there are some very notable bonuses, which I’m going to come to after another disclaimer.
I have good skin.
I say this not to brag, but to be helpful, because a foundation that I love, that makes my skin look visibly perfected and dewy, might not feel so magical if you have blemishes that need a full coverage to be concealed. This Skin Fetish Sublime Perfection potion is sheer. Yes it’s buildable, as I’m about to delve into in more detail, but the medium coverage is almost a perceived medium – as in minor imperfections are cleverly blurred and veiled – rather than the solid coverage you might get traditionally.
So, the notable bonuses – what sets Sublime Perfection foundation apart from the rest?
Well as I said, it’s buildable. And I mean properly buildable, not just “let’s see what happens if I tap a bit more under the eyes because I can’t be bothered to look for my concealer” buildable. You can go from sheerest sheer, which Sublime Perfection handles impeccably because the formula is so hydrating, right up to a medium-ish coverage.
Now loads of foundations are buildable; the difference with this one is that it retains its freshness and increases its sheen as the coverage builds. Which is quite a feat. Usually the more you apply, the more you start to look a little flat, but here we have a coverage that is comprehensive but a finish that is expensive, glowing and bouncy with the same feeling of sheerness as with a light application.
You never get a blanket, opaque coverage, so full coverage-hunters will be disappointed; it’s almost as though the pigment is suspended in a kind of pliable, flexible sheen, so the more you build the more sheenier it gets.
Pat McGrath calls this a “customised couture finish” and I really couldn’t think of a more apt description; it’s the classy, non-obliterating type of finish that you get in a Vogue editorial or at a Paris show. It’s about good skin and not creating a mask. It screams expensive – the blurring particles that give an almost soft focus effect, the “lit from within” glow. But then I do think that the finish somewhat also pivots on the user having relatively blemish-free skin, too.
The most surprising thing about this foundation, though? It’s longwear! Name me a dewy, lighter-than-light base with the texture and comfort of a tinted moisturiser but the elegance of a high-end, finely-formulated foundation that lasts for the whole day? I’ll wait.
Estée Lauder’s Futurist comes pretty close, with its plumpy-bouncy texture and ultra-hydrating finish (review here), but it’s not quite on the same level in terms of refined coverage and glow. Zoom right in on the Sublime Perfection –
– and it’s genuinely almost undetectable on the skin, whereas the Futurist has a slightly more visible dewiness. In terms of hydrating finish, they are on a par, but the Sublime Perfection has been specifically designed to be buildable and tweakable to your exact coverage desires, whereas you wouldn’t want to go silly overboard with layering up the Futurist because it’s so moisturising – you’d just go for a higher coverage foundation.
I have to say though that the Pat McGrath base, even at its sheerest, gives such a heady dose of soft-focus glow that you rarely need to build it up unless you’re going “out out”. I hate the phrase “a little goes a long way” but this really does, especially if you apply with fingertips as you would skincare, rather than a brush.
Here are the before and after photos, although I think that moving film captures the glow best. In fact I almost wish I didn’t have to post the comparison pictures, because it’s in real life and when the light is moving that the skin really comes alive! Nevertheless here we are:
There’s no dramatic total-wipeout of the facial features, but the overall skintone is more even, more glowing whilst retaining the nuances of real skin.
You can probably tell that I like this foundation a lot, even with its couture price-tag. Many would want a better return on investment – a more dramatic transformation – but for those who seek the ultimate “my skin but better” finish, it’s a viable option. It comes in a whopping 36 shades with different undertones well catered for and it’s suitable for any skin type. Though you might want a spot of primer beneath it on oily parts of your face, if you get them. After a full (hot) day I might get some minor slippage on my nose, but at certain times of the month my nose becomes a grease factory and so that’s really splitting hairs.
Apply after moisturiser and/or sunscreen (Sublime Perfection doesn’t contain any, which I kind of like because if I’m out then I always have a standalone SPF on underneath anyway) and use fingertips to sheer out and blend or a brush to build up slightly heavier coverage. I wear a mix of shade 13 and 8 (those were the samples sent out, I didn’t go drunk shopping!) with about two parts 8 to one part 13. So I reckon I would be a 10 or 11 if I actually went out IRL and got matched at a counter.
You can find the full Pat McGrath Labs range at Selfridges on the brand website. The Skin Fetish Sublime Perfection foundation is £60 at Selfridges here*.
The post Foundation Review: Pat McGrath Labs Sublime Perfection appeared first on A Model Recommends.
There’s something deeply satisfying about applying a cream eyeshadow with fingertips – it must appeal to the toddler in me. The teeny pots of “paint”, the relatively slapdash approach to sticking a finger in and then swiping it across the eyelid… It’s makeup that feels effortless, despite the fact that it takes about the same effort as using a powder shadow and brush. It feels low-key because there’s just one shade and it seems straightforward because “patting around the edges with your finger” doesn’t sound nearly as difficult as “blending into the crease with a MAC 217.” To my brain, at least, cream shadow application is distinctly untechnical and unscary.
The latest cream shadows to grab my attention are from Trinny London’s Mother Earth collection here*. There are four shadows, two of which are distinctly terracotta in tone, all of which have the classic longwear Eye2Eye formula. Easy on, not so easy off. Don’t get me wrong, there are cream and mousse shadows in pots with far greater longevity (some even require waterproof makeup remover to cleanse them off) but I like the sheerness of the Trinny shadows because it makes them virtually foolproof. You could very possibly put them on in the dark and they’d still turn out OK.
The reason that this collection tickled my proverbial fancy was that I had recently seen a video on Zoe Taylor’s makeup Instagram channel where she had worked magic with a terracotta eyeshadow. You can see the video here – Zoe works with Chanel and so uses Chanel products, but it’s the overall look that I love.
Some shy away from reds, understandably, because they can make you look as though you’ve just been through a month-long acrimonious break-up, but Zoe uses it so well in her video. It inspired me.
Obviously my own makeup looks nothing like hers but it’s the thought that counts! On my eyes I have Truth (a reddish brown without any shimmer) as a base and then Fortitude on top. Fortitude is the strongest of the four shades and has a real metallic edge to it – it’s a deep metallic burgundy and quite striking.
Clockwise from the right we have Truth, the aforementioned reddish brown, then Fortitude, the metallic burgundy. Next pot around the clock is Courage, a pinky metallic copper and then possibly the “safest” of the bunch, Hope, which is a goldeny peach. Very versatile, this one, as it can be used as a base or simply to brighten the lids, it has a little more freshness and zing than a plain golden beige.
But it’s the less spangly shadow I’ve ended up veering towards for everyday use (funny that, I’m usually so outré with my makeup choices) (note sarcasm); the cream shadow in Truth. It still has a great big whack of red in it but I find it incredibly easy to wear and it’s ever so flattering on skin that has been sunkissed over the summer months.
Thinking about it, these are the perfect shadows for late summer and autumn – they have loads of warmth and just the right degree of sparkle. Nothing overtly festive but they’re colourful enough to keep the spirit of the long hot summer alive. Although I’m probably not alone in wanting to forget many parts of the long hot summer, considering much of it was spent in various states of lockdown!
I’ve had loads of requests now for various Trinny product reviews and am currently looking at some bases and cream bronzers, but if you’re after the perfect uplifting blush with just the right amount of pink to perk things up then I can highly recommend Electra, here*.
Let’s get down to business, in the words of Captain Li Shang from Mulan. (Can you tell I’ve overdone it on the Disney+ channel binging? There’s no Disney stone left unturned in this house. As well as devouring the classics, we’ve watched every prequel and sequel, some of which, quite frankly, should never have been made. Of particular direness is The Little Mermaid II: Return to the Sea, a weak coming-of-age story involving Ariel’s annoying teenage daughter and an underwater villain wearing what appears to be a latex Roland Mouret dress.) (Sidenote: how buff is King Triton? I actually blushed when he tailed his way into shot, not least because he’s now a grandad and it feels inappropriate to stare. He has a tiny merman waist and then this HUGE, ripped chest! I don’t know, it got me going anyway. Niche but true.)
But back to the business of brilliant beauty and a much-belated foundation review. You know how I love my dewy, low-key bases and Estée Lauder’s Futurist Hydra Rescue was an instant hit with its bouncy texture and healthy, radiant finish. If your skin is dry then you’ll love it – it feels thirst-quenching, it looks thirst-quenching and it doesn’t sit horribly in fine lines or wrinkles. (In fact any but the oiliest of skins will find it gives a gorgeous, understated dewiness.) And if you hate full or matte coverage and want a natural finish that’ll still manage to even out skintone and cover up minor blemishes and bits of redness then this will be entirely your bag. It has the comforting plumpness of a tinted moisturiser but the coverage of a foundation – ideal summertime makeup.
(Or anytime makeup, really; you can build this up really well if you prefer a fuller coverage and it sheers out nicely if you mix it with a little bit of moisturiser.)
Let’s go straight in for the close-ups – here’s the before and after:
You can see that it’s not a blank-it-all-out foundation, but it gives a general evenness in tone, knocks back dark circles and leaves the skin with a juicy sheen. (Unfortunately it does nothing for my side-tache problem, but obviously that requires more drastic action. Something sharp and/or pointy.)
I’ve only applied one quick layer of the Futurist Hydra Rescue Moisturizing Makeup here – one thing to note is that it is very moisturising and so if you wanted to build it up to a fuller coverage then you’d have to deal with the extra moisture. If you have very dry skin then that’s all fine and dandy but for anyone else then it’s a bit of a convoluted way of getting high coverage – if it’s blemish obliteration you’re after, but still want glow, then I’d opt for something like Dior’s Forever Skin Glow*.
But with a sensible, medium-coverage application of the Futurist foundation there’s no residue left behind on the skin – it just feels comfortable. Surely that’s foundation finish perfection? In terms of lasting effects I get good coverage for the majority of the day with only a tiny bit of slippage on oilier areas – for me that’s the nose and chin. Again, something like Dior’s Forever would have better longevity, but I wouldn’t get that same plumptious feel and ultra-fresh, informal kind of look.
Estée Lauder’s Futurist gets a huge tick from me – it’s such a welcome addition to their foundation line-up. There are twenty shades (of which six are light, six are medium and eight are dark) the tube packaging with the pump dispenser is lightweight, travel-friendly and non-messy and there’s a built-in broad spectrum sunscreen (UVA and UVB protection) with SPF45.
If you’re looking for the same dewy glow but slightly less coverage, I’d highly recommend Clinique’s Even Better Glow – you can find my full review here.
The post Foundation Review: Estée Lauder Futurist Hydra Rescue appeared first on A Model Recommends.
Struggling to find a sunscreen that doesn’t make you want to claw your own face off with one of those plastic spaghetti spoons? My three current favourites might give you some inspiration. They’re all virtually undetectable on the skin with pleasant, lightweight formulas and broad spectrum protection.
And I’ll tell you something else about my favourite face SPFs: you can just about get away with skipping moisturiser underneath them. Unless my skin is very dry indeed, I find that a quick pat-in of hydrating serum is all I need before (liberally) applying my sunscreen.
(Actually, the Lumene serum from my April favourites would be gorgeous beneath sunscreen, if you’re all about trying to minimise your layers. I know I am, when the weather starts to turn warm; I can’t abide the feeling of eighteen different products on my skin and prefer to keep things as simple as possible.)
So here they are: my Holy Grail trilogy. It wasn’t difficult to narrow my favourites down to these, because I simply went along my bathroom shelf and swept off the three I’ve used the most. Because surely if I use them the most then there’s a reason for that? Otherwise I’d be an idiot.
Elizabeth Arden Great 8 SPF35
I’ve done a full review on this marvellous facial sunscreen here but as a recap: this is one of the lightest, freshest, coolest SPFs I’ve ever tried. It’s quick to sink in, there’s absolutely no residue whatsoever and it sits brilliantly beneath makeup.
The Body Shop Skin Defence Multi-Protection Lotion SPF50
This is a new one to me and a total gem. Much more hydrating than the Arden, but with that comes an extra bit of heft. It’s not nearly as weightless and fresh, but those with dry or very dry skin will appreciate the relative creaminess. If your skin is very dry you’ll want a standalone moisturiser under all of these favourites, so it’s almost by-the-by.
Multi-Protection Lotion has a silky feel and doesn’t leave anything much in the way of residue, at least not after a few minutes, but you definitely feel the effects of the moisturiser even hours later.
Find it at The Body Shop here* – it’s £18 for 40ml or £22 for 60ml.
La Roche-Posay Anthelios Ultra-Light Invisible Fluid
Or “Shaka Fluid” as I seem to be intent on calling it. Maybe because it now has “shaka” emblazoned on the packaging, but I can’t remember whether that’s a new thing or not. Whatever you want to call it, it’s excellent – absolutely light and sheer and without greasiness or chalkiness or any kind of annoying SPF side-effect.
La Roche-Posay are brilliant at formulating for sensitive skin and for spot-prone skin and for skin that is both at the same time – the Anthelios range has something for everyone, pretty much. But this particular version is fragrance free, very water resistant and won’t clog pores. You can’t really go far wrong. Just remember to shake! (Shaka shaka!)
It’s usually £17.50 but is currently £13.50 at LookFantastic here*.
Now, there are two little surprise “extra” sunscreens in this post – perfect for those who have to reapply their sunscreen throughout the day but need to do so over their makeup, without disturbing it.
I’m afraid I’m going to be incredibly irritating and tell you to watch the end of the video I’ve made to find out all about them – there will be a separate post on them quite soon, but I need to go and extract part of Spiderman’s Web Thrower from inside my dog’s mouth before he swallows it. I can’t even imagine what would come out of the other end if he digested that!
For those who absolutely, resolutely refuse to watch moving image, the SPF mists are linked below the video. The rest of you, enjoy the sounds of my springtime garden!
Kate Somerville Uncomplikated SPF50 Mist, £32 but new customers get 15% off and a free gift (see her home page)*: https://bit.ly/3b9x9BR
La Roche-Posay Anthelios Invisible SPF50 Mist – should be £14 but is currently £10.50 here*: https://bit.ly/3caZPfg
There’s no big mystery to this post and it’s not rocket science – just simple mathematics and a couple of excellent, unfussy ingredients. I’m going to tell you how I make the most luxurious and effective bath soak for about fifty pence a go; a bath soak that genuinely relaxes me, helps me to sleep, relieves my aching muscles if I’ve been doing my stupid online workouts and that mentally transports me to somewhere exotic.
This soak is completely customisable but I’m going to give you a few options just to get you started. Perhaps you like a rose-scented bath or maybe you prefer a bit of frankincense to clear your mind and put you back on the level; whatever floats your boat, all of the versions below will make you feel as though you’re relaxing in a posh spa in one of those fluffy dressing gowns that’s always just too small to do up properly and so keeps flashing your paper knicker-clad fanjita to all and sundry.
I’m not posting this as a “thrifty lockdown beauty hack”, though it is that too; I’ve been banging on about this luxury bath soak for months and it’s time to set it in stone!
So, there are two elements to the luxury bath soak: the first is epsom salts and the second, good quality essential oils or a ready-made oil blend. Depending on the oils you choose (and how much you use) the price of a soak goes up, but if you stick to a beakerful of salts and a few drops of Tisserand oil you can keep it to around fifty pence or so.
The ingredients are top-notch, but the price is a fraction – a fraction! – of the ready-made stuff, because you buy the salts in bulk and add your own oils. Here we go then…
Using a whole beakerful of salts is the key here: I’ve done a lot of experimenting with epsom salt quantities and there’s no point pissing about with a couple of tablespoons of the stuff. You’re not going to float about in that, are you? It would hardly make a difference to the water at all!
(Even though that’s the amount that lots of luxury brands seem to recommend using. Mainly because if you used the amount I think you need for it to be effective then it’d be half a tub and people would be up in arms, because the price per bath would be outrageous. For context, I use approximately 200g of epsom salts in my bath (knocks me out well and truly, I sleep like a baby!) but if I were to use that amount of – say – Aveda salts, it would cost me around £14/£15 a bath.)
So, a beakerful of salts – about 200g. It’s around two mugfuls, but I use one of those large plastic kids’ beakers and leave it in my gigantic tub of salts as a scoop. I buy my salts from Amazon for around twenty to twenty-five pounds for ten kilos and I most often order these* or these*, which are currently £14 for ten kilos which is a crazy-low price! Note that they are plain, unadulterated epsom salts – you don’t want perfume added, mainly because you’re going to add your own essential oils but also because most of the perfumed ones smell rank. (I’ve tried a lot!)
I usually use a couple of drops of Frankincense Oil* from Aromatherapy Associates (mixed with a carrier oil first) but if I’m feeling particularly treatsome then I throw in a capful of their Deep Relax Oil*. You’ll notice the high price point on both: Aromatherapy Associates oils don’t come cheap but I think that their blends are some of the best and most mind-transporting you can get.
Remember that you’re using a tiny bit, so cost per bath is kept low. But even if you use a couple of capfuls of the AA Oil and it does send your bath price soaring to a pound, or two pounds, then know that you’re quite literally having the Rolls Royce of bathing experiences. Epsom salts to soothe and calm and switch you off and the best oils that money can buy to sort your head out.
So, some options:
For the Ultimate Relaxation Station, Aromatherapy Associates Deep Relax – find it online here*
To pretend you’re Marie Antoinette in her Versailles Beauty Bath, try Neal’s Yard Remedies Rose Absolute Oil, here*.
For the unwinding English Country Garden Experience, use a few drops of Tisserand’s Lavender Oil, online here*.
Tisserand are your best bet for keeping prices low and quality high – just a few drops needed and you’ve got an amazing soak for all of fifty pence! I tend to stick to rose, frankincense and lavender, mainly because I had a terrible experience with a eucalyptus and mint blend and my nethers have only just healed.
10kg of epsom salts for (average price) £20 = 40p per 200g of salts + Few drops of Tisserand oil, approx 10p = 50p per soak.
Run the bath, pour in the salts, then the oils, mixed with a bit of almond oil (don’t put the oils in when the bath is running as I find that the water tends to make the scent fill the bathroom too early) and relax. Or, if you’re like me, spend three minutes twiddling your thumbs and then think of something you need to do and get out again.
What’s your favourite bath treat? I really look forward to my nightly soak, it’s a fundamental part of my daily routine – tell me if I’m missing out on any particular oils or scents!
Well this is a very joyous revisit; I’ve reviewed Murad’s brilliant Retinol Youth Renewal range before, but they’ve reformulated and relaunched it and it’s now even more of a find.
I say find, but this skincare trio (there’s a serum, an eye serum and a sumptuous night cream) is hardly a secret – the Retinol Youth Renewal Serum is the number one retinol product in the US! Nevertheless, I bring you this news, that two of the products have been reformulated and all three have had an appearance makeover, and I also bring you (why am I writing this like a medieval bard?) an updated review.
Actually two updated reviews, because in an unprecedented feat of spectacular organisation, my Mum and I have been testing the new range at the same time. Yes that’s right; my Mum (seventy next year) and I (forty this year) have been syncing our nightly skincare routines and applying eye serum, serum and night cream every other night and recording our thoughts.
I have to say, before we go any further, that my Mum is meticulous when it comes to researching what she puts on her face. She Googles every ingredient on the list, she looks at other reviews and she reads the instructions on the box twice. How on earth then, she managed to end up applying the serum in the morning instead of the night and the other products twice a day every day for weeks, I have no idea.
It’s surely testament to the quality of the formulations that her face didn’t slowly peel itself off from her head, like in a Tom & Jerry cartoon – I should add that Mum does have quite sensitive skin, and my own (comparatively hardy) face has had bad reactions to far less potent treatments.
Murad do make a point of the formulations being suitable for sensitive skin – they urge caution, obviously, but the newly reformulated eye serum can now even be used on the eyelids. The lids! Imagine. I can tell you that it was something of a leap of faith, patting a retinol serum into my eyelids, but there was no stinging, no irritation whatsoever. The serum was instantly hydrating but not greasy (basically my Mum’s idea of a Holy Grail beauty product) and I did rather like the idea that something might get to work on my lid crepe.
Lid crepe. It sounds like a disease. I’m absolutely not wanting to add any sort of extra skin “concern” to the list of ones we’re already supposed to worry about, but I do quite like it when you use a lid primer and it makes things all smooth and velvety – the Murad Retinol Youth Renewal Eye Serum makes them feel a little bit like that.
Although obviously there are longer term benefits! In fact, I’ve just realised that this post launched into a whole thing about Murad’s Retinol Youth Renewal Range but didn’t really explain what an earth retinol is, to the uninitiated. My Mum had no clue why retinol was so special, even after she’d done her Google research. Mainly because she’s so sceptical, which is a good thing. But in the case of retinol, you can almost entirely place your scepticism to one side, because this is an ingredient that really and truly delivers.
With the right strength and a good formulation, retinol can help to smooth out fine lines, even skin tone, work on deeper lines and creases and make skin generally look plumper and more elastic. Murad’s range takes things one step further by using their tri-active retinol technology; a retinol booster to kind of prep the skin and make it receptive to the main ingredient, then a time-released retinol to deliver a steady level to the skin and then a fast-acting retinoid, which is much more powerful than the retinol itself.
Triple-whammy effects and boy does it make the products feel racy and exciting! I properly get the tingle with Murad’s range, the sort of tingle that makes you wonder what state your face is going to be in the next day – will I look as though I’ve drunk four litres of rosé and passed out on a Magaluf beach at midday in August? Thankfully not – no irritation, no redness, not even any discernible dryness, perhaps because the super-serums are always followed by the rich and buttery night cream.
The night cream has also been tweaked; still with the tri-active retinol technology, it now contains Niacinamide and Picolinamide to strengthen skin’s protective barrier. I like that it’s not just shooting high-powered and transformative ingredients at your face – it’s looking out for the longterm comfort and quality of the skin.
The Retinol Youth Renewal Night Cream was the product my Mum loved the most – she’s always hunting for creams that are incredibly rich and moisturising but that don’t leave a greasy residue. She hates grease. Especially around the eyes. I can’t even count the number of times she’s told me this fact over the years – I sometimes feel as though I should make it into a poem and put it on her birthday cards – but it’s a big issue for her. It goes in her lashes and then into her eyes, it’s all most upsetting, but not, she was delighted to report, with any of the Murad trio.
So yes, the night cream was her favourite – she likes to be able to use one product and be done with it – but she did marvellously well at testing all three. She has noticed a good difference to the firmness of her skin, especially under her chin and on her neck, and in turn the wrinkles there are improved. These are her exact words:
“I LOVE THIS AND IT HAS WORKED A DREAM ON MY NECK AND CHIN (whether it was aided with serum also, not sure)
Yes, it is so lovely and smooth to apply, smells lovely, absorbs well, and it has so, so much improved my neck, jowl and chin wrinkles, both the fine and the deep ones. Thankyou Murad.
Could you tell me whether I can just use night cream alone and get those results? Also can I try on lovely hubby, His face is craggy ?
Lots of love
I need to tell my Mum that the serum increases results by three times when used alongside the cream – in fact, if I had to choose one product from the range on results alone then I’d probably plump for the serum, just because it’s the most potent. This is the one product that hasn’t been reformulated – it’s still maximum tingle, minimal fall-out and a lightweight, easily-absorbed texture that’s a joy to use. Same tri-action deal with the retinol, retinoid and the skin-prepping element for quick and visible results.
Now you may already be a fan of this range, in which case you’ll appreciate the tweaks, I think! If you’re not then prepare to be charmed – the Retinol Youth Renewal range is the sort of skincare line that’ll have you doing double-takes in the mirror, especially if you have (or are starting to get) those vertical lines between your eyebrows and horizontal ones to the sides of your eyes.
It’s been so interesting testing the same products as my Mum – we’re (obviously) at different stages in terms of how our skin is behaving and what we expect from our skincare, yet both of us couldn’t be more pleased with the results. I love a smoother, plumper, fresher-looking face that allows me to use minimal makeup and my Mum appreciates the firmness and feeling of elasticity that using retinol has given to her skin.
If you would like to try Murad’s Retinol Youth Renewal range then you can get 25% off with the code RUTH25 here. In fact this gets you 25% off everything on their website! I can highly recommend their range of sunscreens, especially if you are going to be using retinol, and they have an amazing anti-blemish line.
If you’d like to read my review of the original line then that’s here – you can also take a nifty little skin consultation quiz on the Murad website, that’s here. For some reason I find these online evaluations quite addictive!
The post Testing Retinol With My Mum – Age 39 v Age 69! | AD appeared first on A Model Recommends.
I always feel like a right berk recommending this to people when I can’t pronounce the name properly – I mean, how on earth do you say OI Oil without looking as though you’re doing an extreme facial yoga move? – but recommend it I do. A lot. Because, despite trying dozens and dozens of smoothing creams and silkening serums and pomades that promise to tame fried locks, this is still one of the very best things I’ve found.
Davines OI Oil.
I’m not 100% sure on how to say the Davines bit, don’t have a clue on the OI bit, but don’t let pronunciation faze you: because surely that’s one of the great things about internet shopping? Being able to order stuff that you can’t pronounce in real life. Or, even better, being able to order all of the stuff that is too humiliating to do face to face.
(The fact that I now can’t think of a single thing that would humiliate me to buy face-to-face means that I have sunk to new lows. Unctions for various complaints of the orifices, athlete’s foot cream, stuff for ulcers and boils, bunions and buboes; the pharmacist in my local Sainsbury’s has seen it all and neither of us bats an eyelid. I always wonder whether it’s the combination of shopping items that cause’s embarrassment, rather than the items themselves. Though to be quite honest I rarely overthink this nowadays. I mean, if you found yourself at the checkout with a cucumber, some lard and a packet of condoms then you’d probably want to rethink your shopping list but I can’t think of much else that would make me pause for thought. Just to be clear, I’ve never rocked up to the tills with that combination of items, but once I did buy just an aubergine, two courgettes and a large pot of yoghurt because I was making an emergency vegetarian curry for a visiting friend and the man at the checkout said “that looks like a fine Saturday night in.” WTF.)
Where am I going with this? I have no idea. Poor you, clicking on a seemingly innocent haircare review and being plunged into the depths of my meandering mind. OI Oil. No idea how to say it, because they’ve capitalised the O and the I which further confuses me – if it’s not “Oi Oil” then is it o-eye oil?
I like to think you shout it, like Harry Enfield pretending to be a builder.
“Oi! Oil! Over ‘ere! Come on then if you think you’re ‘ard enough!”
But I’m guessing that would be off-brand. Davines is a very high-end, high-performance haircare brand and I’m not sure that Harry would be their poster boy. Everything I’ve tried from this company has been gorgeous, effective and a cut above much of the competition, so I’m going to be sensible from now on and give it the credit it deserves.
OI Oil Absolute Beatifying Potion is a hair-finishing serum that contains oil, but doesn’t quite behave like an oil. Which is a blessing for those with fine, easily-weighed-down hair. You get all of the sheen and conditioning benefits of the oil (roucou oil, which is apparently 100 times richer in beta carotene than carrots; handy if you, like me, would like your hair to be able to see in the dark) but you don’t get the greasiness.
Obviously if you pour the stuff on and baste your whole head in it, things would start to get greasy, but why would you do that? You need a minimal amount – for long hair, I’d dispense about the size of a 10p coin – and that minimal amount manages to groom, tame and polish without any heaviness whatsoever.
My hair just looks sleek and smooth, but not in that nineties Jennifer Aniston way that needed four hours of straightening to achieve – the surface just looks healthy and…well pulled together. So I’d use the OI Oil on days when my hair looks tousled, for example, leaving it looking tousled but incredibly healthy, rather than tousled because it’s just dry AF and I haven’t had my split ends cut off in five or six months.
How do you use Davines OI Oil? Well here’s the most beautiful bit: pretty much in any way you want. Massage into damp hair and allow to air-dry, massage into damp hair before blow-drying, smooth over dried ends to get rid of frizz or spread a small amount between palms and then press them lightly down the lengths of a finished style to give it polish and sheen.
My most-employed way of using OI Oil is on hair that I’ve basically washed and forgotten about, hair that has dried into a huge Helena Bonham-Carter bird’s nest on my head, tangled and stressed. And you know that when you’ve left your hair to riot like that then there’s very little you can do to pull it back from the brink – some of my lowest hair moments have been when I’ve brushed my hair out from the freshly-washed bird’s nest and it just sits, lank yet somehow still frazzled, hanging down in tattered curtains on either side of my face.
That is when OI Oil comes into its own. On my fine, colour-treated hair it just seems to perform small miracles, working its way through the damage to come out with something that’s a hell of a lot more than just presentable. And yes, a glance at the ingredients list tells you that the silicone-heavy formula is very much in a similar arena to your Frizz-Eases and your Moroccanoils, but there’s something about this one that works incredibly well on my fine, blonded hair.
You can find Davines OI Oil online here* – a small bottle is £24, but a large bottle, which is almost three times the size, is £35. On the one hand, a small bottle would probably last you an age and I’m always hesitant to recommend unnecessary super-sizing, but the numbers here point in only one direction. Economy of scale and all that.